{"id":26303,"date":"2024-02-21T15:45:11","date_gmt":"2024-02-21T14:45:11","guid":{"rendered":"https:\/\/archive.displayeurope.eu\/?post_type=article&#038;p=26303"},"modified":"2024-09-06T16:38:25","modified_gmt":"2024-09-06T14:38:25","slug":"the-european-pavilion-2024-liquid-becomings-for-display","status":"publish","type":"article","link":"https:\/\/archive.displayeurope.eu\/cs\/article\/the-european-pavilion-2024-liquid-becomings-for-display\/","title":{"rendered":"Evropsk\u00fd pavilon 2024: Liquid Becomings for DISPLAY"},"content":{"rendered":"\n<p>Na tiskov\u00e9 konferenci, kter\u00e1 se konala 14. \u00fanora v Het Nieuwe Instituut v Rotterdamu, byl vyhl\u00e1\u0161en laure\u00e1t grantu ve v\u00fd\u0161i 500 000,00 eur, kter\u00fd ud\u011blila&nbsp;<a href=\"https:\/\/culturalfoundation.eu\/\"><strong>Evropsk\u00e1 kulturn\u00ed nadace<\/strong><\/a>&nbsp;na kur\u00e1torstv\u00ed a po\u0159\u00e1d\u00e1n\u00ed&nbsp;<a href=\"https:\/\/theeuropeanpavilion.eu\/\"><strong>Evropsk\u00e9ho pavilonu 2024<\/strong><\/a>&nbsp;<\/p>.\n\n\n\n<p>V\u00fdb\u011br provedla nez\u00e1visl\u00e1 porota, konsorcium veden\u00e9 kolektivem nez\u00e1visl\u00fdch um\u011blc\u016f&nbsp;<a href=\"https:\/\/espacoagora.space\/\"><strong>espa\u00e7o agora now<\/strong><\/a> a slo\u017een\u00e9 z organizac\u00ed&nbsp;<a href=\"https:\/\/flow-przeplyw.wixsite.com\/flow\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>FLOW<\/strong><\/a>,&nbsp;<a href=\"https:\/\/www.ms-fusion.net\/\"><strong>MS-Fusion<\/strong><\/a>,&nbsp;<a href=\"https:\/\/teatromeiavolta.com\/en\/\"><strong>Teatro Meia Volta<\/strong><\/a>&nbsp;a&nbsp;<a href=\"https:\/\/platforma-kooperativa.org\/members\/united-artists-labour\/\"><strong>United Artist Labour<\/strong><\/a>, p\u0159edstavuje&nbsp;<em>Liquid Becomings<\/em>: putovn\u00ed pavilon, kter\u00fd m\u00e1 podobu \u010dty\u0159 lod\u00ed pluj\u00edc\u00edch dvacet osm dn\u00ed po \u010dty\u0159ech evropsk\u00fdch \u0159ek\u00e1ch, ne\u017e se v listopadu 2024 sejdou v Lisabonu na z\u00e1v\u011bre\u010dn\u00e9m um\u011bleck\u00e9m programu.<\/p>\n\n\n\n<p>Naomi Russell, zakladatelka espa\u00e7o agora now: &#8222;Jsme nesm\u00edrn\u011b hrd\u00ed na to, \u017ee porota vybrala pr\u00e1v\u011b na\u0161i iniciativu. Form\u00e1t je netypick\u00fd hned z n\u011bkolika d\u016fvod\u016f: nejen\u017ee zde nebude fyzick\u00fd pavilon, ale zp\u016fsob, jak\u00fdm&nbsp;<em>Liquid Becomings<\/em>&nbsp;vznik\u00e1, je odli\u0161n\u00fd v tom smyslu, \u017ee se jedn\u00e1 o iniciativu vyvinutou a vedenou um\u011blci. Prost\u0159ednictv\u00edm&nbsp;<em>Liquid Becomings<\/em>&nbsp;vytvo\u0159\u00edme mnoho mal\u00fdch agor na \u010dty\u0159ech evropsk\u00fdch \u0159ek\u00e1ch, kde se setkaj\u00ed um\u011blci a komunity, aby sd\u00edleli sv\u00e9 \u017eivotn\u00ed zku\u0161enosti a spoluvytv\u00e1\u0159eli nov\u00e1 vypr\u00e1v\u011bn\u00ed, zab\u00fdvaj\u00edc\u00ed se komplexn\u00edmi polykrizemi nerovnosti a ned\u016fv\u011bry, degradace p\u0159\u00edrody, klimatick\u00fdch zm\u011bn. Naslouch\u00e1n\u00edm p\u0159\u00edb\u011bh\u016fm oby\u010dejn\u00fdch Evropan\u016f mimo obvykl\u00e1 centra chceme mimo jin\u00e9 p\u0159isp\u011bt k nov\u00e9mu definov\u00e1n\u00ed budoucnosti Evropy.&#8220;<\/p>\n\n\n\n<p><strong>O Liquid Becomings<\/strong><\/p>\n\n\n\n<p><em>Liquid Becomings<\/em>&nbsp;nen\u00ed tradi\u010dn\u00ed pavilon. Nen\u00ed to v\u00fdstava. Nen\u00ed ani na jednom m\u00edst\u011b.&nbsp;<em>Liquid Becomings<\/em>&nbsp;je cesta, dobrodru\u017estv\u00ed, radik\u00e1ln\u00ed experiment.&nbsp;<\/p>\n\n\n\n<p>\u010cty\u0159i lod\u011b, kter\u00e9 vypluj\u00ed 1. z\u00e1\u0159\u00ed na 28 dn\u00ed, popluj\u00ed sou\u010dasn\u011b po \u010dty\u0159ech evropsk\u00fdch \u0159ek\u00e1ch: Dunaji, Visle, R\u00fdnu a Tegu a p\u0159ekonaj\u00ed celkem t\u0159in\u00e1ct zem\u00ed. Jejich pos\u00e1dky slo\u017een\u00e9 z um\u011blc\u016f a kapit\u00e1na se ka\u017ed\u00e1 zam\u011b\u0159\u00ed na jin\u00e9 t\u00e9ma: Ruiny a p\u0159\u00ed\u0161ery, Obvody, Spole\u010denstv\u00ed a T\u011bla a politika. Ka\u017ed\u00e1 lo\u010f vytvo\u0159\u00ed prostor pro setk\u00e1v\u00e1n\u00ed komunit a lid\u00ed, kter\u00e9 na sv\u00e9 cest\u011b potkaj\u00ed, pro spole\u010dn\u00e9 rozhovory a kreativitu, pro zkoum\u00e1n\u00ed a p\u0159edstavov\u00e1n\u00ed p\u0159\u00edb\u011bh\u016f, kter\u00e9 bude vypr\u00e1v\u011bt Evropa z\u00edt\u0159ka &#8211; p\u0159\u00edb\u011bh\u016f inspirovan\u00fdch t\u011bmito \u010dty\u0159mi velk\u00fdmi vodn\u00edmi cestami.<\/p>\n\n\n\n<p>Lod\u011b, z nich\u017e ka\u017ed\u00e1 m\u00e1 pos\u00e1dku p\u011bti um\u011blc\u016f a kapit\u00e1na, jsou odhodl\u00e1ny p\u0159edstavovat si alternativn\u00ed zp\u016fsoby spole\u010denstv\u00ed. Um\u011bleck\u00e9 pos\u00e1dky budou zkoumat my\u0161lenky nov\u00fdch p\u0159edstav, alternativn\u00edho \u017eivota a spekulativn\u00ed budoucnosti. Ka\u017ed\u00e1 z lod\u00ed je jednoduch\u00fdm plavidlem, kter\u00e9 nab\u00edz\u00ed jednoduch\u00fd, udr\u017eiteln\u00fd a pomal\u00fd zp\u016fsob cestov\u00e1n\u00ed. O\u010dek\u00e1v\u00e1me, \u017ee za\u017eijeme krajinu, \u017eivly a lidi, kte\u0159\u00ed \u017eij\u00ed na \u0159ek\u00e1ch, z jedine\u010dn\u00e9, propojen\u00e9 perspektivy. Jedn\u00e1 se o cestu, kter\u00e1 je participativn\u00ed a p\u0159\u00ednosn\u00e1.&nbsp;<\/p>\n\n\n\n<p>V listopadu pos\u00e1dky v\u0161ech lod\u00ed spoj\u00ed sv\u00e9 s\u00edly v Lisabonu. T\u0159\u00eddenn\u00ed um\u011bleck\u00fd program oslavuj\u00edc\u00ed polyfonii, limin\u00e1ln\u00ed prostory a putov\u00e1n\u00ed propoj\u00ed star\u00fd p\u0159\u00edstav Beato se soci\u00e1ln\u011b-kulturn\u00edm komplexem Quinta Alegre, kter\u00fd se nach\u00e1z\u00ed na severn\u00edm okraji Lisabonu. Setk\u00e1n\u00ed a rozhovory, j\u00eddla, ritu\u00e1ly a p\u0159\u00edb\u011bhy z cest budou p\u0159evedeny do nov\u00e9 mytologie Evropy, kterou budou vypr\u00e1v\u011bt um\u011blci a ob\u010dan\u00e9.&nbsp;<\/p>\n\n\n\n<p><strong>Od otev\u0159en\u00e9 v\u00fdzvy k sout\u011b\u017ei Tekut\u00e9 bytosti: \u00favahy poroty<\/strong><\/p>\n\n\n\n<p>Na z\u00e1klad\u011b&nbsp;<a href=\"https:\/\/culturalfoundation.eu\/stories\/we-are-pleased-to-announce-the-call-for-curatorial-proposals-the-european-pavilion-2024\/\">otev\u0159en\u00e9 v\u00fdzvy k p\u0159edkl\u00e1d\u00e1n\u00ed kur\u00e1torsk\u00fdch n\u00e1vrh\u016f<\/a>&nbsp;na vytvo\u0159en\u00ed a hostov\u00e1n\u00ed Evropsk\u00e9ho pavilonu 2024 jsme obdr\u017eeli 39 odv\u00e1\u017en\u00fdch n\u00e1vrh\u016f. V\u011bt\u0161ina z nich se t\u00fdkala mezin\u00e1rodn\u00ed spolupr\u00e1ce a um\u011bleck\u00fdch produkc\u00ed a dvacet z nich vedla konsorcia, kter\u00e1 dohromady zastupovala v\u00edce ne\u017e t\u0159icet zem\u00ed z cel\u00e9ho kontinentu i mimo n\u011bj, od Turecka po D\u00e1nsko, od Ukrajiny po Portugalsko a od Nizozemska po \u0158ecko.&nbsp;<a href=\"https:\/\/culturalfoundation.eu\/stories\/meet-the-jury-for-the-european-pavilion-2024-call\/\">Nez\u00e1visl\u00e1 porota<\/a>&nbsp;pod veden\u00edm Sepake Angiama vybrala jednoho laure\u00e1ta z&nbsp;<a href=\"https:\/\/culturalfoundation.eu\/stories\/theeuropeanpavilion-five-2024-finalists\/\">p\u011bti finalist\u016f<\/a>.<br><br>Pro porotu,&nbsp;<em>Liquid Becomings<\/em>&nbsp;p\u0159edstavuje odv\u00e1\u017en\u00fd um\u011bleck\u00fd form\u00e1t. D\u016fle\u017eit\u00e9 pro n\u011b bylo i to, \u017ee p\u0159edstavuje v\u00fdzvu ortodoxn\u00edmu modelu n\u00e1rodn\u00edch pavilon\u016f, p\u016fvodn\u011b zalo\u017een\u00e9mu v koloni\u00e1ln\u00ed \u00e9\u0159e, a tomu, co reprezentuj\u00ed.<br><br>Porota pova\u017eovala nab\u00eddku Evropsk\u00e9ho pavilonu od ECF za p\u0159\u00edle\u017eitost k odvaze opustit koncept pavilonu jako \u010dist\u011b zastav\u011bn\u00e9ho prostoru, do n\u011bho\u017e mus\u00ed div\u00e1ci povinn\u011b p\u0159ij\u00edt, a vymyslet n\u011bco nov\u00e9ho a decentralizuj\u00edc\u00edho, co vyjde vst\u0159\u00edc evropsk\u00fdm komunit\u00e1m.<br><br> <\/p>;<p>\n\n\n\n<p>Porotu zaujala symbolika, kterou n\u00e1vrh p\u0159edstavuje:&nbsp;<em>Liquid Becomings<\/em>&nbsp;choreografie um\u011bleck\u00e9ho proud\u011bn\u00ed p\u0159es modern\u00ed a st\u00e1le nepropustn\u011bj\u0161\u00ed hranice Evropy, a to tak, \u017ee po jej\u00edch starobyl\u00fdch obchodn\u00edch a lidsk\u00fdch cest\u00e1ch &#8211; \u0159ek\u00e1ch Visle, R\u00fdnu, Dunaji a Tegu &#8211; vypou\u0161t\u00ed mal\u00e9 lod\u011b s r\u016fznorodou skupinou um\u011blc\u016f.<\/p>\n\n\n\n<p><em>V p\u0159edve\u010der odhalen\u00ed projektu Liquid Becomings jako v\u00edt\u011bzn\u00e9ho n\u00e1vrhu pro Evropsk\u00fd pavilon 2024 jsme po\u017e\u00e1dali Naomi Russel z espa\u00e7o agora now a Lore Gablier, programovou mana\u017eerku ECF, aby n\u00e1m odpov\u011bd\u011bly na n\u011bkolik ot\u00e1zek.<\/em><\/p>\n\n\n\n<p><strong>Ptali jsme se Naomi, co je Evropa ve skute\u010dnosti a jak ji mohou utv\u00e1\u0159et na\u0161e p\u0159edstavy?<br><\/strong>Naomi: &#8222;Ot\u00e1zku polo\u017e\u00edm zp\u011bt! Co je Evropa ve skute\u010dnosti? V\u00fdzvy, kter\u00fdm sv\u011bt \u010del\u00ed, nenech\u00e1vaj\u00ed \u017e\u00e1dn\u00fd kontinent ani n\u00e1rod nedot\u010den\u00fd. To vy\u017eaduje, aby Evropa &#8211; my &#8211; zpochybnila konstrukce a vypr\u00e1v\u011bn\u00ed o historii i p\u0159edstavivosti.&nbsp; V projektu Liquid Becomings chceme znovu prozkoumat evropsk\u00fd smysl pro soun\u00e1le\u017eitost v kontextu migrace a glob\u00e1ln\u00edch zm\u011bn v soci\u00e1ln\u00ed geografii.&nbsp; Chceme hledat nov\u00e9 evropsk\u00e9 mytologie zaveden\u00edm nadn\u00e1rodn\u00ed, multikulturn\u00ed v\u00fdm\u011bny znalost\u00ed a postup\u016f.&#8220;<\/p>\n\n\n\n<p><strong>Jak\u00fdm zp\u016fsobem je&nbsp;<em>Liquid Becomings<\/em>&nbsp;symbolem evropsk\u00e9ho projektu?&#8220;<br><\/strong>Naomi: &#8222;<em>Liquid Becomings<\/em>&nbsp;bude zkoumat m\u00fdty, vypr\u00e1v\u011bn\u00ed a diskurzy, kter\u00e9 buduj\u00ed sou\u010dasnou evropskou identitu. Plovouc\u00ed pavilon zkoum\u00e1 vodn\u00ed plochy jako sv\u00e1 jevi\u0161t\u011b, co\u017e vytv\u00e1\u0159\u00ed neobvykl\u00fd vztah mezi pluj\u00edc\u00edmi um\u011blci i s div\u00e1ky.&nbsp;<em>Liquid Becomings<\/em>&nbsp;navrhuje pova\u017eovat proces za rovnocenn\u00fd um\u011bleck\u00e9mu d\u00edlu a vn\u00edmat sd\u00edlen\u00ed \u010dasu, pozornosti, energie a zdroj\u016f jako performativn\u00ed a politickou akci. Jsme p\u0159esv\u011bd\u010deni, \u017ee budouc\u00ed p\u0159edstava Evropy mus\u00ed umo\u017enit aktivn\u00ed zapojen\u00ed pluralitn\u00edch evropsk\u00fdch spole\u010dnost\u00ed a polyfonii hlas\u016f a zku\u0161enost\u00ed a p\u0159it\u00e1hnout zejm\u00e9na ty, kte\u0159\u00ed stoj\u00ed mimo zaveden\u00e9 a institucion\u00e1ln\u00ed struktury. D\u00edky plavb\u011b po vod\u00e1ch, kdy budeme na \u0159ek\u00e1ch t\u011bmi ciz\u00edmi lidmi &#8211; t\u011bmi druh\u00fdmi &#8211; douf\u00e1me, \u017ee je oslov\u00edme a nav\u00edc usly\u0161\u00edme, co si mysl\u00ed, c\u00edt\u00ed a po \u010dem tou\u017e\u00ed v budoucnosti.&#8220;<\/p>\n\n\n\n<p><strong>Jak m\u016f\u017ee um\u011bleck\u00e1 p\u0159edstavivost a tv\u016fr\u010d\u00ed n\u00e1pady p\u0159isp\u011bt k budov\u00e1n\u00ed spravedliv\u011bj\u0161\u00ed a udr\u017eiteln\u011bj\u0161\u00ed spole\u010dnosti pro v\u0161echny?<br><\/strong>Naomi: &#8222;espaco agora nyn\u00ed v\u011b\u0159\u00ed, \u017ee pot\u0159ebujeme hlasy nez\u00e1visl\u00fdch um\u011blc\u016f v centru spole\u010dnosti, proto\u017ee jejich p\u0159edstavivost a schopnost vid\u011bt budoucnost je z\u00e1sadn\u00ed pro \u0159e\u0161en\u00ed velk\u00fdch v\u00fdzev dne\u0161ka. Ekolog Gus Speth, kter\u00fd zalo\u017eil World Resources Institute, to p\u0159ed n\u011bkolika lety vystihl ve zkratce, kdy\u017e \u0159ekl: &#8222;<em>D\u0159\u00edve jsem si myslel, \u017ee nejv\u011bt\u0161\u00edmi probl\u00e9my \u017eivotn\u00edho prost\u0159ed\u00ed jsou ztr\u00e1ta biologick\u00e9 rozmanitosti, kolaps ekosyst\u00e9m\u016f a zm\u011bna klimatu. Myslel jsem si, \u017ee d\u00edky 30 let\u016fm dobr\u00e9 v\u011bdy m\u016f\u017eeme tyto probl\u00e9my \u0159e\u0161it. Ale m\u00fdlil jsem se. Nejv\u011bt\u0161\u00edmi probl\u00e9my \u017eivotn\u00edho prost\u0159ed\u00ed jsou sobectv\u00ed, chamtivost a apatie. K jejich \u0159e\u0161en\u00ed pot\u0159ebujeme duchovn\u00ed a kulturn\u00ed transformaci. A my v\u011bdci nev\u00edme, jak to ud\u011blat<\/em>.&#8220; Pr\u00e1v\u011b zde hraje jedine\u010dnou roli um\u011bleck\u00e1 p\u0159edstavivost a um\u011bleck\u00e9 postupy, zejm\u00e9na tam, kde se ob\u010dan\u00e9 mohou aktivn\u011b \u00fa\u010dastnit a reagovat na proces tvorby a na to, jak se utv\u00e1\u0159ej\u00ed my\u0161lenky.&#8220;<\/p>\n\n\n\n<p>Lore: &#8222;Mo\u017en\u00e1 bychom m\u011bli za\u010d\u00edt t\u00edm, \u017ee si polo\u017e\u00edme ot\u00e1zku, co \u010din\u00ed na\u0161i spole\u010dnost neudr\u017eitelnou a nespravedlivou. Neexistuje ur\u010dit\u00fd status quo, kter\u00fd bychom m\u011bli za\u010d\u00edt dekonstruovat? A nen\u00ed to pr\u00e1v\u011b um\u011bn\u00ed, kter\u00e9 n\u00e1mi ot\u0159\u00e1s\u00e1, kter\u00e9 n\u00e1s nut\u00ed p\u0159edstavit si jinou realitu sv\u011bta, jin\u00fd sv\u011btov\u00fd \u0159\u00e1d? P\u0159esto bude dosa\u017een\u00ed udr\u017eiteln\u011bj\u0161\u00ed a spravedliv\u011bj\u0161\u00ed spole\u010dnosti pro v\u0161echny vy\u017eadovat v\u00edc ne\u017e jen p\u0159edstavivost. Dv\u011bma krit\u00e9rii v\u00fdb\u011bru laure\u00e1ta grantu The European Pavilion commissioning grant jsou udr\u017eitelnost a rozmanitost: kandid\u00e1ti mus\u00ed navrhnout konkr\u00e9tn\u00ed opat\u0159en\u00ed, a\u0165 u\u017e jde o spr\u00e1vu, zastoupen\u00ed, platy, produkci atd. tak, aby jejich kur\u00e1torsk\u00e9 n\u00e1vrhy byly ohledupln\u00e9 k lidem a planet\u011b. Na\u0161\u00ed ambic\u00ed je tedy s Evropsk\u00fdm pavilonem tak\u00e9 vytvo\u0159it p\u0159\u00edkladnou um\u011bleckou ud\u00e1lost, kde udr\u017eitelnost a rovnost nejsou jen um\u011bleck\u00fdm a intelektu\u00e1ln\u00edm z\u00e1jmem, ale tak\u00e9 t\u00edm, \u010d\u00edm se \u0159\u00edd\u00ed jej\u00ed konkr\u00e9tn\u00ed realizace.&#8220;<\/p>\n\n\n\n<p><strong>V \u010dem se Evropsk\u00fd pavilon li\u0161\u00ed od podobn\u00fdch akc\u00ed jinde ve sv\u011bt\u011b?<br><\/strong>Lore: &#8222;Snad nejv\u00fdrazn\u011bj\u0161\u00edm rysem Evropsk\u00e9ho pavilonu je jeho explicitn\u00ed zam\u011b\u0159en\u00ed na Evropu. Existuje mnoho festival\u016f a jin\u00fdch um\u011bleck\u00fdch akc\u00ed s evropsk\u00fdm rozm\u011brem (nap\u0159\u00edklad kv\u016fli partnerstv\u00ed nebo putovn\u00edmu charakteru), ale \u017e\u00e1dn\u00e1 z nich nestav\u00ed Evropu do centra sv\u00e9ho programu. Evropsk\u00fd pavilon nav\u00edc navzdory sv\u00e9mu n\u00e1zvu nen\u00ed vybudovan\u00fdm nebo pevn\u011b dan\u00fdm prostorem, ale prostorem experimentov\u00e1n\u00ed a zkoum\u00e1n\u00ed. Jde o zpochybn\u011bn\u00ed samotn\u00e9ho pojmu pavilonu, jeho\u017e genealogie m\u00e1 ko\u0159eny v koloni\u00e1ln\u00ed historii Evropy a v konstrukci n\u00e1rodn\u00edch p\u0159edstav. Prost\u0159ednictv\u00edm Evropsk\u00e9ho pavilonu vyz\u00fdv\u00e1me kulturn\u00ed organizace a um\u011blce ze v\u0161ech obor\u016f, aby se zamysleli nad Evropou a p\u0159edstavili si, \u010d\u00edm by se mohla nebo m\u011bla st\u00e1t. Pr\u00e1v\u011b jejich tv\u016fr\u010d\u00ed procesy a um\u011bleck\u00e9 produkce d\u00e1vaj\u00ed Evropsk\u00e9mu pavilonu podobu: nap\u0159\u00edklad Evropsk\u00fd pavilon 2024 bude m\u00edt podobu \u010dty\u0159 lod\u00ed, kter\u00e9 se budou dvacet osm dn\u00ed plavit po \u010dty\u0159ech evropsk\u00fdch \u0159ek\u00e1ch. Stejn\u011b snadno se v\u0161ak m\u016f\u017ee st\u00e1t jevi\u0161t\u011bm, filmem, virtu\u00e1ln\u00edm prost\u0159ed\u00edm, \u0161kolou a nepochybn\u011b na sebe vezme podobu dosud neprozkoumanou.&#8220;<br><br><strong>\u00dasp\u011b\u0161n\u00e9 sestaven\u00ed Evropsk\u00e9ho pavilonu je obrovsk\u00e9 spole\u010dn\u00e9 \u00fasil\u00ed s r\u016fzn\u00fdmi odpov\u011bdnostmi. Jak m\u016f\u017eeme prost\u0159ednictv\u00edm metafory pavilonu dos\u00e1hnout \u00fasp\u011bchu Evropy?&#8220;<br><\/strong>Naomi: &#8222;Budu zde parafr\u00e1zovat Taniu Brugeru a jej\u00ed ned\u00e1vnou performativn\u00ed akci v Hamburku. Mus\u00edme si promluvit. Mus\u00edme. A p\u0159i takov\u00e9m dialogu mus\u00edme pozastavit sv\u00e9 p\u0159edsudky a ud\u011blat si \u010das na naslouch\u00e1n\u00ed. Pluralismus je ze sv\u00e9 podstaty konfliktn\u00ed. V\u017edy bude existovat mnohost perspektiv. Chantal Mouffe, od n\u00ed\u017e jsme se inspirovali konceptem horizont\u00e1ln\u00edho agonismu&nbsp;, kdy\u017e jsme si za\u010dali p\u0159edstavovat n\u00e1\u0161 kur\u00e1torsk\u00fd n\u00e1vrh, hovo\u0159\u00ed o nutn\u011b konfliktn\u00ed povaze pluralismu a nemo\u017enosti sm\u00ed\u0159it v\u0161echny \u00fahly pohledu. D\u00e1le \u0159\u00edk\u00e1, a tato definice se mi l\u00edb\u00ed &#8211; p\u0159i konstituov\u00e1n\u00ed &#8218;my&#8216; mus\u00edme rozli\u0161ovat mezi n\u00edm a &#8218;oni&#8216;.&#8220;<\/p>.\n\n\n\n<h2 class=\"wp-block-heading\">&#8222;Budoucnost, kterou vypr\u00e1v\u00ed \u0159eka, budoucnost, kterou vypr\u00e1v\u00edme my v\u0161ichni.&#8220;<\/h2>\n\n\n\n<p>espa\u00e7o agora nyn\u00ed o\u010dek\u00e1v\u00e1, \u017ee se do&nbsp;<em>Liquid Becomings<\/em> zapoj\u00ed celkem 46 nez\u00e1visl\u00fdch um\u011blc\u016f z oblasti performance. Otev\u0159ou v\u00fdzvu um\u011blc\u016fm, aby se uch\u00e1zeli o rezidenci na lod\u00edch, proto\u017ee cht\u011bj\u00ed do pavilonu zahrnout co nejrozmanit\u011bj\u0161\u00ed skupinu um\u011blc\u016f, v\u010detn\u011b um\u011blc\u016f usazen\u00fdch mimo Evropu, v\u010detn\u011b um\u011blc\u016f z glob\u00e1ln\u00edho Jihu.&nbsp;<\/p>\n\n\n\n<p>Naomi: &#8222;Cht\u011bli jsme vytvo\u0159it n\u00e1vrh, kter\u00fd zas\u00e1hne do obvodu a bude mimo obvykl\u00e1 centra. P\u0159\u00edli\u0161 mnoho lid\u00ed v na\u0161\u00ed spole\u010dnosti se c\u00edt\u00ed odcizeno a opu\u0161t\u011bno. Jednoduch\u00fd akt osloven\u00ed a vyjit\u00ed vst\u0159\u00edc lidem tam, kde jsou, n\u00e1m p\u0159ipadal nal\u00e9hav\u00fd. Vzhledem k evropsk\u00e9mu rozm\u011bru jsme pova\u017eovali za nutn\u00e9 zas\u00e1hnout co nejv\u00edce \u00fazem\u00ed.<\/p>\n\n\n\n<p>To znamenalo, \u017ee jsme museli p\u0159ehodnotit koncepci setrv\u00e1n\u00ed na jednom pevn\u00e9m m\u00edst\u011b. Na\u0161e koncepce se za\u010dala formovat kolem toho, \u017ee jedin\u00fdm zp\u016fsobem, jak vytvo\u0159it prostor pro budouc\u00ed p\u0159edstavu Evropy, je oslavovat limin\u00e1ln\u00ed stav, pono\u0159it se do nev\u011bd\u011bn\u00ed a budovat prost\u0159ed\u00ed pro vznik nov\u00fdch \u0159\u00e1d\u016f. Ka\u017ed\u00e1 \u0159eka sleduje jin\u00e9 trasy a spojuje r\u016fzn\u00e9 regiony.&#8220;<\/p>\n\n\n\n<p>Krom\u011b pozv\u00e1n\u00ed m\u00edstn\u00edch odborn\u00edk\u016f na lod\u011b na r\u016fzn\u00fdch tras\u00e1ch nab\u00eddne Liquid Becomings placenou pr\u00e1ci m\u00edstn\u00edm lidem pod\u00e9l trasy, kte\u0159\u00ed budou produkovat sv\u00e9 zku\u0161enosti. P\u0159i p\u0159\u00edprav\u011b ka\u017ed\u00e9 trasy budou spolupracovat s nejm\u00e9n\u011b p\u011bti partnery z \u0159ad ob\u010dansk\u00e9 spole\u010dnosti na ka\u017ed\u00e9 \u0159ece.&nbsp;<\/p>\n\n\n\n<p>A\u017e se lod\u011b rozjedou, bude je moci ve\u0159ejnost nav\u0161t\u00edvit zdarma. Nezapome\u0148te pros\u00edm sledovat jednotliv\u00e9 etapy a trajektorie&nbsp;<em>Liquid Becomings<\/em>&nbsp;prost\u0159ednictv\u00edm&nbsp;<a href=\"https:\/\/theeuropeanpavilion.eu\/\">Evropsk\u00e9ho pavilonu<\/a>.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Konsorcium pod veden\u00edm nez\u00e1visl\u00e9ho um\u011bleck\u00e9ho kolektivu espa\u00e7o agora now, slo\u017een\u00e9 z organizac\u00ed FLOW, MS-Fusion, Teatro Meia Volta a United Artist Labour, vybran\u00e9 nez\u00e1vislou porotou, p\u0159edstavuje projekt Liquid Becomings: putovn\u00ed pavilon, kter\u00fd bude m\u00edt podobu \u010dty\u0159 lod\u00ed pluj\u00edc\u00edch dvacet osm dn\u00ed po \u010dty\u0159ech evropsk\u00fdch \u0159ek\u00e1ch, ne\u017e se v listopadu 2024 sejde v Lisabonu, kde prob\u011bhne z\u00e1v\u011bre\u010dn\u00fd um\u011bleck\u00fd program.<\/p>\n","protected":false},"author":1,"featured_media":26286,"parent":0,"template":"","tags":[],"displeu_category":[],"class_list":["post-26303","article","type-article","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/article\/26303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/types\/article"}],"author":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/media\/26286"}],"wp:attachment":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/media?parent=26303"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/tags?post=26303"},{"taxonomy":"displeu_category","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/displeu_category?post=26303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}