{"id":32142,"date":"2024-02-15T19:33:25","date_gmt":"2024-02-15T18:33:25","guid":{"rendered":"https:\/\/archive.displayeurope.eu\/video\/zpusoby-jakymi-milujeme\/"},"modified":"2024-06-27T09:23:42","modified_gmt":"2024-06-27T07:23:42","slug":"the-ways-we-love","status":"publish","type":"video","link":"https:\/\/archive.displayeurope.eu\/cs\/video\/the-ways-we-love\/","title":{"rendered":"Zp\u016fsoby, jak\u00fdmi milujeme"},"content":{"rendered":"\n

P\u0159es nezn\u00e1m\u00fd p\u016fvod valent\u00fdnsk\u00fdch oslav<\/a> historick\u00e1 tradice nevypad\u00e1 jako dne\u0161n\u00ed<\/a> komoditn\u00ed extravagance a z toho m\u016f\u017eeme vinit spole\u010dnost Hallmark<\/a>. V roce 1913 byla pr\u016fkopn\u00edkem komercializace sv\u00e1tku svat\u00e9ho Valent\u00fdna d\u00edky sv\u00e9mu pr\u016fmyslu valent\u00fdnsk\u00fdch p\u0159\u00e1n\u00ed\u010dek, na kter\u00fd pozd\u011bji v polovin\u011b 80. let nav\u00e1zal pr\u016fmysl \u010dokol\u00e1dy, kv\u011btin a \u0161perk\u016f. <\/p>\n\n\n\n

A\u010dkoli n\u011bkter\u00e9 m\u00edstn\u00ed varianty p\u0159etrv\u00e1vaj\u00ed, globalizovan\u00fd kulturn\u00ed export ovlivnil zp\u016fsob, jak\u00fdm se dnes Valent\u00fdn slav\u00ed. Tvrd\u00ed se, \u017ee n\u00e1\u0161 pohled na romantick\u00e9 vztahy <\/a>se d\u00edky tomuto fenom\u00e9nu m\u011bn\u00ed a \u017ee zp\u016fsoby vyjad\u0159ov\u00e1n\u00ed l\u00e1sky<\/a> nap\u0159\u00ed\u010d kulturami miz\u00ed ve prosp\u011bch z\u00e1padn\u00edch a patriarch\u00e1ln\u00edch „norem“. <\/p>\n\n\n\n

S digitalizac\u00ed za\u010dalo seznamov\u00e1n\u00ed nab\u00fdvat jin\u00e9 podoby<\/a> a mlad\u00ed lid\u00e9 se otev\u00edraj\u00ed my\u0161lenk\u00e1m plynulosti, neomezuj\u00edc\u00edch z\u00e1vazk\u016f a otev\u0159en\u00e9 komunikace. <\/p>\n\n\n\n

Ale zat\u00edmco n\u011bkte\u0159\u00ed se sna\u017e\u00ed reformovat vztahy tak, aby byly rovnopr\u00e1vn\u011bj\u0161\u00ed a inkluzivn\u011bj\u0161\u00ed, n\u011bkte\u0159\u00ed jsou z toho velmi rozru\u0161eni; obvi\u0148uj\u00ed tyto m\u011bn\u00edc\u00ed se standardy ze sv\u00e9 osam\u011blosti. <\/p>\n\n\n\n

Samot\u00e1\u0159stv\u00ed a rostouc\u00ed nelibost vytvo\u0159ily toxickou online kulturu zalo\u017eenou na misogynii, kde jsou feministky vn\u00edm\u00e1ny jako nejv\u011bt\u0161\u00ed probl\u00e9m. S dne\u0161n\u00edmi hosty si pov\u00edd\u00e1me o l\u00e1sce, incelech a o tom, pro\u010d u\u017e to nem\u016f\u017ee b\u00fdt \u0161patn\u011b.<\/p>\n\n\n\n

Faris Cuchi Gezahgen<\/strong><\/a> je intersekcion\u00e1ln\u00ed LGBTQIA* aktivistka, performerka a etiopsk\u00e1 queer znalkyn\u011b a kulturn\u00ed producentka. Je spoluzakladatelkou House of Guramayle a m\u00edstop\u0159edsedkyn\u00ed Afro Rainbow Austria<\/a>; prvn\u00ed organizace zalo\u017een\u00e9 africk\u00fdmi LGBTQI+ komunitami a pro n\u011b v Rakousku. <\/p>\n\n\n\n

Carin Franzen<\/strong><\/a> od roku 2020 p\u016fsob\u00ed jako profesorka srovn\u00e1vac\u00ed literatury na kated\u0159e kultury a estetiky Stockholmsk\u00e9 univerzity. Ve sv\u00e9m v\u00fdzkumu zkoum\u00e1 d\u011bjiny subjektivity v p\u0159edmodern\u00ed i modern\u00ed a sou\u010dasn\u00e9 evropsk\u00e9 literatu\u0159e a zab\u00fdv\u00e1 se formacemi subjektivity. Publikovala o p\u0159ivlast\u0148ov\u00e1n\u00ed si subjektov\u00fdch pozic st\u0159edov\u011bk\u00fdmi a ran\u011b novov\u011bk\u00fdmi spisovatelkami v tradici dvorsk\u00e9 l\u00e1sky. <\/p>\n\n\n\n

Leah Jule Ritterfeld <\/strong>je doktorandkou filozofie na V\u00edde\u0148sk\u00e9 univerzit\u011b a zab\u00fdv\u00e1 se v\u00fdzkumem  \u017divoty bez l\u00e1sky, izolovan\u00e9 mysli: The Epistemic Fallout of Incels.<\/a> Zab\u00fdv\u00e1 se radikalizac\u00ed, resentimentem a l\u00e1skou z epistemick\u00e9 perspektivy.<\/p>\n\n\n\n

Setk\u00e1me se s nimi v knihovn\u011b nadace Erste ve V\u00eddni. <\/strong><\/p>\n\n\n\n

Tvo\u0159iv\u00fd t\u00fdm<\/strong><\/h3>\n\n\n\n

R\u00e9ka Kinga Papp, \u0161\u00e9fredaktorka
Merve Akyel, um\u011bleck\u00fd \u0159editel
Szilvia Pint\u00e9r, producentka
Zs\u00f3fia Gabriella Papp, v\u00fdkonn\u00e1 producentka
Salma Shaka, scen\u00e1ristka-redaktorka
Priyanka Hutschenreiter, asistentka projektu<\/p>\n\n\n\n

Veden\u00ed spole\u010dnosti<\/strong><\/h3>\n\n\n\n

Hermann Riessner  gener\u00e1ln\u00ed \u0159editel
Judit Csik\u00f3s  projektov\u00e1 mana\u017eerka
Csilla Nagyn\u00e9 Kardos, administrativa kancel\u00e1\u0159e<\/p>\n\n\n\n

OKTO Crew<\/strong><\/h3>\n\n\n\n

Senad Hergi\u0107 producent
Leah Hochedlinger  z\u00e1znam videa
Marlena Stolze  z\u00e1znam videa
Clemens Schmiedbauer z\u00e1znam videa
Richard Brusek z\u00e1znam zvuku<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, zvukov\u00e1 technika
Gergely \u00c1ron P\u00e1pai, fotografie
L\u00e1szl\u00f3 Hal\u00e1sz, fotografie<\/p>\n\n\n\n

Postprodukce<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, vedouc\u00ed videoeditorka
Istv\u00e1n Nagy, videoeditor
Mil\u00e1n Golovics, konverza\u010dn\u00ed editor<\/p>\n\n\n\n

Um\u011bn\u00ed<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animace
Cornelia Frischauf, hudebn\u00ed t\u00e9ma<\/a><\/p>\n\n\n\n

Titulky a titulky<\/strong><\/h3>\n\n\n\n

Julia Sobota  skryt\u00e9 titulky, polsk\u00e9 a francouzsk\u00e9 titulky; spr\u00e1va jazykov\u00fdch verz\u00ed
Farah Ayyash  arabsk\u00e9 titulky
Mia Bel\u00e9n Soriano  \u0161pan\u011blsk\u00e9 titulky
Marta Ferdebar  chorvatsk\u00e9 titulky
L\u00eddia N\u00e1dori  N\u011bmeck\u00e9 titulky
Katalin Szlukov\u00e9nyi  ma\u010farsk\u00e9 titulky
Daniela Univazo  n\u011bmeck\u00e9 titulky
Olena Yermakova  ukrajinsk\u00e9 titulky
Aida Yermekbayeva  rusk\u00e9 titulky
Mars Zaslavsky  italsk\u00e9 titulky<\/p>\n\n\n\n

Vys\u00edl\u00e1 knihovna Erste Foundation ve V\u00eddni.<\/strong><\/p>\n\n\n\n

Zdroje<\/strong><\/h3>\n\n\n\n

Valent\u00fdn: Snider, Teen Vogue.

Je Valent\u00fdn jen kapitalistick\u00fdm sv\u00e1tkem?<\/a> Autor: Grace Proctor, Exepose. <\/p>\n\n\n\n

Valent\u00fdn:

L\u00e1ska (a obchod) bez hranic: Valent\u00fdn se stal glob\u00e1ln\u00edm<\/a> autorem je Chris Jackson, Ipsos. <\/p>\n\n\n\n

Generace Z a l\u00e1ska: <\/p> Hermine Donceel & Dino Suba\u0161i\u0107, Euranet Plus News Agency: Flutter, Then Land<\/a> by Hermine Donceel & Dino Suba\u0161i\u0107, Euranet Plus News Agency.<\/p>\n\n\n\n

Souvisej\u00edc\u00ed \u010dten\u00ed<\/strong><\/h3>\n\n\n\n

Iris Murdochov\u00e1 a epistemick\u00fd v\u00fdznam l\u00e1sky<\/a> od Cathy Mason <\/p>\n\n\n\n

D\u016fvody l\u00e1sky<\/a> od Harryho Frankfurta. <\/p>\n\n\n\n

Studen\u00e9 intimnosti: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

Odhalen\u00ed<\/strong><\/h3>\n\n\n\n

Tato talk show je z produkce Display Europe: pr\u016fkopnick\u00e1 medi\u00e1ln\u00ed platforma ukotven\u00e1 ve ve\u0159ejn\u00fdch hodnot\u00e1ch.<\/p>\n\n\n\n

Tento po\u0159ad je spolufinancov\u00e1n programem Evropsk\u00e9 unie Kreativn\u00ed Evropa a Evropskou kulturn\u00ed nadac\u00ed.<\/p>\n\n\n\n

D\u016fle\u017eit\u00e9 je, \u017ee zde vyj\u00e1d\u0159en\u00e9 n\u00e1zory a stanoviska jsou pouze n\u00e1zory a stanoviska autor\u016f a \u0159e\u010dn\u00edk\u016f a nemus\u00ed nutn\u011b odr\u00e1\u017eet n\u00e1zory a stanoviska Evropsk\u00e9 unie nebo Evropsk\u00e9 v\u00fdkonn\u00e9 agentury pro vzd\u011bl\u00e1v\u00e1n\u00ed a kulturu (EACEA). Evropsk\u00e1 unie ani agentura EACEA za n\u011b nemohou n\u00e9st odpov\u011bdnost.<\/p>\n","protected":false},"excerpt":{"rendered":"

Od jisk\u0159iv\u00fdch skupinov\u00fdch objet\u00ed, p\u0159es seznamovac\u00ed aplikace a\u017e po incesty: valent\u00fdnsk\u00e1 epizoda po\u0159adu Standard Time se zab\u00fdv\u00e1 t\u00edm, jak l\u00e1ska m\u011bn\u00ed lidi a jak lid\u00e9 m\u011bn\u00ed l\u00e1sku.<\/p>\n","protected":false},"author":1,"featured_media":25340,"parent":0,"template":"","tags":[],"displeu_category":[],"class_list":["post-32142","video","type-video","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/video\/32142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/video"}],"about":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/types\/video"}],"author":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/media\/25340"}],"wp:attachment":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/media?parent=32142"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/tags?post=32142"},{"taxonomy":"displeu_category","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/displeu_category?post=32142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}