{"id":32253,"date":"2024-02-02T03:32:22","date_gmt":"2024-02-02T02:32:22","guid":{"rendered":"https:\/\/archive.displayeurope.eu\/video\/kdo-zaplati-za-pravdu\/"},"modified":"2024-06-27T09:23:36","modified_gmt":"2024-06-27T07:23:36","slug":"kdo-zaplati-za-pravdu","status":"publish","type":"video","link":"https:\/\/archive.displayeurope.eu\/cs\/video\/kdo-zaplati-za-pravdu\/","title":{"rendered":"Kdo zaplat\u00ed za pravdu?"},"content":{"rendered":"\n

Kdy\u017e je obsah voln\u011b dostupn\u00fd v houfech, vypad\u00e1 placen\u00ed za novina\u0159inu t\u00e9m\u011b\u0159 jako podvod. Dok\u00e1\u017eou novin\u00e1\u0159sk\u00e1 m\u00e9dia dr\u017eet krok s m\u011bn\u00edc\u00edm se informa\u010dn\u00edm prost\u0159ed\u00edm? Zjist\u011bte to v nov\u00e9m d\u00edle po\u0159adu Standardn\u00ed \u010das.tempo konzumace m\u00e9di\u00ed se v posledn\u00edch desetilet\u00edch zrychlilo. Zpravodajsk\u00e9 cykly se od t\u00e9 doby st\u00e1le zkracuj\u00ed – tendence zapo\u010dat\u00e1 rozhlasem a televiz\u00ed a d\u00e1le urychlen\u00e1 boomem internetu. V \u010dasov\u00e9m \u00faseku deseti minut nebo krat\u0161\u00edm je mo\u017en\u00e9 se dozv\u011bd\u011bt o po\u010das\u00ed, m\u00edstn\u00edch novink\u00e1ch a geopolitick\u00fdch anal\u00fdz\u00e1ch ned\u00e1vn\u00fdch ud\u00e1lost\u00ed. v\u00edce ne\u017e 60 % p\u0159\u00edslu\u0161n\u00edk\u016f generace Z a mileni\u00e1l\u016f se spol\u00e9h\u00e1 na jednu nebo v\u00edce platforem soci\u00e1ln\u00edch m\u00e9di\u00ed jako na zdroj zpr\u00e1v. Odklonili se od konven\u010dn\u00edch zp\u016fsob\u016f z\u00edsk\u00e1v\u00e1n\u00ed zpr\u00e1v, jako je rozhlas nebo televize, ve prosp\u011bch podcast\u016f a online vide\u00ed, abychom uvedli alespo\u0148 n\u011bkolik p\u0159\u00edklad\u016f. Internet se definitivn\u011b stal hlavn\u00edm zdrojem nov\u00fdch informac\u00ed a umo\u017enil lidem diverzifikovat sv\u00e9 zdroje podle vlastn\u00edho uv\u00e1\u017een\u00ed, prosazovat tak\u00e9 v\u00edce platforem s otev\u0159en\u00fdm zdrojem a p\u0159ekra\u010dovat hranice svobody slova. nechyb\u00ed st\u00e1tn\u00ed propaganda, po\u017eadavek svobody tisku p\u0159etrv\u00e1v\u00e1 mezi novin\u00e1\u0159i po cel\u00e9m sv\u011bt\u011b, proto\u017ee cenzura je uplat\u0148ov\u00e1na na v\u0161ech front\u00e1ch. A\u0165 u\u017e se jedn\u00e1 o p\u0159\u00edmou st\u00e1tn\u00ed represi, nebo o rafinovan\u011bj\u0161\u00ed algoritmick\u00e9 uml\u010dov\u00e1n\u00ed, \u017eurnalistika je definov\u00e1na prost\u0159edky, kter\u00e9 ji p\u0159en\u00e1\u0161ej\u00ed.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Rychlost konzumace m\u00e9di\u00ed se v posledn\u00edch desetilet\u00edch zrychlila. Zpravodajsk\u00e9 cykly se od t\u00e9 doby st\u00e1le zkracuj\u00ed – tendence zapo\u010dat\u00e1 rozhlasem a televiz\u00ed a d\u00e1le urychlen\u00e1 rozmachem internetu. V \u010dasov\u00e9m \u00faseku deseti minut nebo krat\u0161\u00edm je mo\u017en\u00e9 se dozv\u011bd\u011bt o po\u010das\u00ed, m\u00edstn\u00edch novink\u00e1ch a geopolitick\u00fdch anal\u00fdz\u00e1ch ned\u00e1vn\u00fdch ud\u00e1lost\u00ed.<\/p>\n\n\n\n

V\u00edce ne\u017e 60 % p\u0159\u00edslu\u0161n\u00edk\u016f generace Z a mileni\u00e1l\u016f se spol\u00e9h\u00e1 na jednu nebo v\u00edce platforem soci\u00e1ln\u00edch m\u00e9di\u00ed jako na zdroj zpr\u00e1v.<\/a> Odklonili se od konven\u010dn\u00edch zp\u016fsob\u016f z\u00edsk\u00e1v\u00e1n\u00ed zpr\u00e1v, jako je r\u00e1dio nebo televize, ve prosp\u011bch podcast\u016f a online vide\u00ed, abychom uvedli alespo\u0148 n\u011bkolik p\u0159\u00edklad\u016f. Internet se rozhodn\u011b stal hlavn\u00edm zdrojem nov\u00fdch informac\u00ed a umo\u017enil lidem diverzifikovat sv\u00e9 zdroje<\/a> z vlastn\u00ed v\u016fle, prosazovat tak\u00e9 v\u00edce platforem s otev\u0159en\u00fdm zdrojem a p\u0159ekra\u010dovat hranice svobody slova.<\/p>\n\n\n\n

Nen\u00ed zbaven st\u00e1tn\u00ed propagandy, po\u017eadavek svobody tisku p\u0159etrv\u00e1v\u00e1 mezi novin\u00e1\u0159i po cel\u00e9m sv\u011bt\u011b, proto\u017ee cenzura je uplat\u0148ov\u00e1na na v\u0161ech front\u00e1ch. A\u0165 u\u017e jde o p\u0159\u00edmou st\u00e1tn\u00ed represi, nebo jemn\u011bj\u0161\u00ed algoritmick\u00e9 uml\u010dov\u00e1n\u00ed, \u017eurnalistika je definov\u00e1na prost\u0159edky, kter\u00e9 ji p\u0159en\u00e1\u0161ej\u00ed.<\/p>\n\n\n\n

Jedna v\u011bc z\u016fst\u00e1v\u00e1 tv\u00e1\u0159\u00ed v tv\u00e1\u0159 nov\u011b vynalezen\u00e9mu novin\u00e1\u0159sk\u00e9mu kolu nem\u011bnn\u00e1, a to, \u017ee novin\u00e1\u0159i a producenti m\u00e9di\u00ed se st\u00e1le pot\u0159ebuj\u00ed udr\u017eet na materi\u00e1ln\u00ed \u00farovni. Podle Dr. G\u00e1bora Poly\u00e1ka jsou mlad\u00ed lid\u00e9 ochotni platit sp\u00ed\u0161e za p\u0159edplatn\u00e9 Netflixu ne\u017e za mal\u00e9 zpravodajsk\u00e9 m\u00e9dium, tak\u017ee je st\u00e1le obt\u00ed\u017en\u011bj\u0161\u00ed spol\u00e9hat na to, \u017ee publikum bude financovat pr\u00e1ci novin\u00e1\u0159\u016f.<\/p>\n\n\n\n

Fiona Nzingo tvrd\u00ed, \u017ee budov\u00e1n\u00ed vztahu s div\u00e1ky je jedn\u00edm z p\u0159\u00edstup\u016f, jak je p\u0159im\u011bt k tomu, aby platili za pokra\u010dov\u00e1n\u00ed pr\u00e1ce novin\u00e1\u0159\u016f, jakkoli to m\u016f\u017ee b\u00fdt neudr\u017eiteln\u00e9. Dal\u0161\u00edm, kter\u00fd se v posledn\u00edch letech objevil, je zpen\u011b\u017eov\u00e1n\u00ed z kliknut\u00ed a zhl\u00e9dnut\u00ed. Nejspolehliv\u011bj\u0161\u00edm zdrojem p\u0159\u00edjm\u016f v\u0161ak nad\u00e1le z\u016fst\u00e1v\u00e1 financov\u00e1n\u00ed ze strany st\u00e1tu a dlouhodob\u00fdch d\u00e1rc\u016f, ale i to m\u00e1 svou cenu; st\u00e1le p\u0159evl\u00e1d\u00e1 tla\u010den\u00ed na pilu mezi omezen\u00edmi, kter\u00e1 publika\u010dn\u00ed \u010dinnost p\u0159in\u00e1\u0161\u00ed, a mo\u017enostmi si ji dovolit.<\/p>\n\n\n\n

Vol\u00e1n\u00ed po nez\u00e1visl\u00fdch, sob\u011bsta\u010dn\u00fdch m\u00e9di\u00edch je st\u00e1le na vzestupu a k udr\u017een\u00ed ur\u010dit\u00e9 etiky je st\u00e1le zapot\u0159eb\u00ed kombinace r\u016fzn\u00fdch zdroj\u016f financov\u00e1n\u00ed. Zejm\u00e9na v Evrop\u011b je k navr\u017een\u00ed form\u00e1ln\u00edch strategi\u00ed v tomto sm\u011bru je\u0161t\u011b dlouh\u00e1 cesta.<\/a><\/p>\n\n\n\n

Udr\u017eet krok se z\u00e1jmy mlad\u00fdch i star\u0161\u00edch je st\u00e1le n\u00e1ro\u010dn\u00e9 a tato sout\u011b\u017e o pozornost m\u016f\u017ee b\u00fdt p\u0159ek\u00e1\u017ekou rozvoje zpravodajstv\u00ed, jak ho zn\u00e1me.<\/p>\n\n\n\n

Na\u0161i host\u00e9 n\u00e1m \u0159ekli v\u00edce:<\/p>\n\n\n\n

Fiona Nzingo<\/strong> je novin\u00e1\u0159ka z Keni, kter\u00e1 v sou\u010dasn\u00e9 dob\u011b p\u016fsob\u00ed jako mana\u017eerka pro \u010dlenstv\u00ed a zapojen\u00ed v Glob\u00e1ln\u00edm f\u00f3ru pro rozvoj m\u00e9di\u00ed<\/a>. S\u00eddl\u00ed ve \u0161v\u00e9dsk\u00e9m Stockholmu.<\/p>\n\n\n\n

Dr. G\u00e1bor Poly\u00e1k<\/strong> je vedouc\u00edm ELTE M\u00c9DIA<\/a>, \u0161koly medi\u00e1ln\u00edch studi\u00ed na Univerzit\u011b E\u00f6tv\u00f6s Lor\u00e1nd v Budape\u0161ti v Ma\u010farsku. Je tak\u00e9 vedouc\u00edm think tanku M\u00e9rt\u00e9k Media Monitor<\/a>.<\/p>\n\n\n\n

Vladimir Radinovi\u0107<\/strong> je spoluzakladatelem Podcast.rs<\/a> z B\u011blehradu v Srbsku. Je \u010dlenem p\u0159edstavenstva Community Media Forum of Europe<\/a>.<\/p>\n\n\n\n

Setk\u00e1v\u00e1me se s nimi v knihovn\u011b \u0160koly anglistiky a amerikanistiky na Univerzit\u011b E\u00f6tv\u00f6se Lor\u00e1nda (ELTE) v ma\u010farsk\u00e9 Budape\u0161ti.<\/p>\n\n\n\n

Tv\u016fr\u010d\u00ed t\u00fdm<\/strong><\/h3>\n\n\n\n

R\u00e9ka Kinga Papp, \u0161\u00e9fredaktorka
Merve Akyel, um\u011bleck\u00fd \u0159editel
Szilvia Pint\u00e9r, producentka
Zs\u00f3fia Gabriella Papp, digit\u00e1ln\u00ed producentka
Salma Shaka, spisovatelka-redaktorka
Margarita Lechner, spisovatelka-redaktorka
Priyanka Hutschenreiter, asistentka projektu<\/p>\n\n\n\n

Mana\u017ee\u0159i<\/strong><\/h3>\n\n\n\n

Hermann Riessner  gener\u00e1ln\u00ed \u0159editel
Judit Csik\u00f3s  projektov\u00e1 mana\u017eerka
Csilla Nagyn\u00e9 Kardos, administrativa kancel\u00e1\u0159e<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, zvukov\u00e1 technika
Gergely \u00c1ron P\u00e1pai, fotografie
L\u00e1szl\u00f3 Hal\u00e1sz, fotografie<\/p>\n\n\n\n

Postprodukce<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, hlavn\u00ed editorka videa
Kateryna Kuzmenko editorka dialog\u016f<\/p>\n\n\n\n

Um\u011bn\u00ed<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animace
Cornelia Frischauf, hudebn\u00ed t\u00e9ma<\/a><\/p>\n\n\n\n

Titulky a titulky<\/strong><\/h3>\n\n\n\n

Julia Sobota, Daniela Univazo, Mars Zaslavsky, Marta Ferdebar, Olena Jermakova, Farah Ayyash<\/p>\n\n\n\n

Host<\/strong><\/h3>\n\n\n\n

Knihovna \u0160koly anglistiky a amerikanistiky na Univerzit\u011b E\u00f6tv\u00f6se Lor\u00e1nda (ELTE) v Budape\u0161ti, Ma\u010farsko.<\/p>\n\n\n\n

Zdroje<\/strong><\/h3>\n\n\n\n

Odch\u00e1z\u00ed mlad\u0161\u00ed generace od tradi\u010dn\u00edch zpravodajsk\u00fdch zdroj\u016f?“<\/a> by Deloitte.<\/p>\n\n\n\n

U\u017e\u00edv\u00e1n\u00ed soci\u00e1ln\u00edch m\u00e9di\u00ed z\u0159ejm\u011b zpest\u0159\u00ed v\u00e1\u0161 zpravodajsk\u00fd j\u00eddeln\u00ed\u010dek, nikoliv ho z\u00fa\u017e\u00ed<\/a> Richard Fletcher a Rasmus Kleis Nielsen, NiemanLab.<\/p>\n\n\n\n

\u00davod do financov\u00e1n\u00ed \u017eurnalistiky a m\u00e9di\u00ed<\/a> by Sameer Padania, Macroscope.<\/p>\n\n\n\n

Zve\u0159ejn\u011bn\u00ed<\/strong><\/h3>\n\n\n\n

Tato talk show je z produkce Display Europe: pr\u016fkopnick\u00e1 medi\u00e1ln\u00ed platforma ukotven\u00e1 ve ve\u0159ejn\u00fdch hodnot\u00e1ch.<\/p>\n\n\n\n

Tento po\u0159ad je spolufinancov\u00e1n programem Evropsk\u00e9 unie Kreativn\u00ed Evropa a Evropskou kulturn\u00ed nadac\u00ed.<\/p>\n\n\n\n

D\u016fle\u017eit\u00e9 je, \u017ee zde vyj\u00e1d\u0159en\u00e9 n\u00e1zory a stanoviska jsou pouze n\u00e1zory a stanoviska autor\u016f a \u0159e\u010dn\u00edk\u016f a nemus\u00ed nutn\u011b odr\u00e1\u017eet n\u00e1zory a stanoviska Evropsk\u00e9 unie nebo Evropsk\u00e9 v\u00fdkonn\u00e9 agentury pro vzd\u011bl\u00e1v\u00e1n\u00ed a kulturu (EACEA). Evropsk\u00e1 unie ani agentura EACEA za n\u011b nemohou n\u00e9st odpov\u011bdnost.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kdy\u017e je obsah voln\u011b dostupn\u00fd, zd\u00e1 se, \u017ee platit za \u017eurnalistiku je t\u00e9m\u011b\u0159 podvod. Mohou novin\u00e1\u0159sk\u00e1 m\u00e9dia dr\u017eet krok s m\u011bn\u00edc\u00edm se informa\u010dn\u00edm prost\u0159ed\u00edm? Zjist\u011bte to v nov\u00e9 epizod\u011b po\u0159adu Standardn\u00ed \u010das.<\/p>\n","protected":false},"author":11,"featured_media":22899,"parent":0,"template":"","tags":[],"displeu_category":[],"class_list":["post-32253","video","type-video","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/video\/32253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/video"}],"about":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/types\/video"}],"author":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/users\/11"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/media\/22899"}],"wp:attachment":[{"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/media?parent=32253"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/tags?post=32253"},{"taxonomy":"displeu_category","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/cs\/wp-json\/wp\/v2\/displeu_category?post=32253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}