{"id":32161,"date":"2024-02-15T19:33:25","date_gmt":"2024-02-15T18:33:25","guid":{"rendered":"https:\/\/archive.displayeurope.eu\/video\/sposoby-akymi-milujeme\/"},"modified":"2024-06-27T09:23:52","modified_gmt":"2024-06-27T07:23:52","slug":"the-ways-we-love","status":"publish","type":"video","link":"https:\/\/archive.displayeurope.eu\/sk\/video\/the-ways-we-love\/","title":{"rendered":"Sp\u00f4soby, ak\u00fdmi milujeme"},"content":{"rendered":"\n

Vzdor nezn\u00e1memu p\u00f4vodu valent\u00ednskych osl\u00e1v<\/a> sa historick\u00e1 trad\u00edcia na dne\u0161n\u00fa tovarov\u00fa extravaganciu v\u00f4bec nepodob\u00e1<\/a> a z toho m\u00f4\u017eeme obvini\u0165 spolo\u010dnos\u0165 Hallmark<\/a>. V roku 1913 bola priekopn\u00edkom komercializ\u00e1cie Valent\u00edna so svoj\u00edm priemyslom valent\u00ednskych poh\u013eadn\u00edc, na ktor\u00fd nesk\u00f4r v polovici 80. rokov nadviazal \u010dokol\u00e1dov\u00fd, kvetinov\u00fd a \u0161perk\u00e1rsky priemysel. <\/p>\n\n\n\n

K\u00fdm niektor\u00e9 miestne varianty pretrv\u00e1vaj\u00fa, globalizovan\u00fd kult\u00farny export ovplyvnil sp\u00f4sob, ak\u00fdm sa dnes Valent\u00edn oslavuje. Tvrd\u00ed sa, \u017ee n\u00e1\u0161 poh\u013ead na romantick\u00e9 vz\u0165ahy <\/a> sa v d\u00f4sledku tohto javu men\u00ed a \u017ee sp\u00f4soby vyjadrovania l\u00e1sky<\/a> v r\u00f4znych kult\u00farach mizn\u00fa v prospech z\u00e1padn\u00fdch a patriarch\u00e1lnych „noriem“. <\/p>\n\n\n\n

S digitaliz\u00e1ciou za\u010dali zoznamky nadob\u00fada\u0165 in\u00fa podobu<\/a> a mlad\u00ed \u013eudia sa otv\u00e1raj\u00fa my\u0161lienkam plynulosti, neobmedzuj\u00facich z\u00e1v\u00e4zkov a otvorenej komunik\u00e1cie. <\/p>\n\n\n\n

Ale zatia\u013e \u010do niektor\u00ed bojuj\u00fa za reformu vz\u0165ahov, aby boli rovnocennej\u0161ie a inkluz\u00edvnej\u0161ie, niektor\u00ed s\u00fa z toho ve\u013emi rozru\u0161en\u00ed; obvi\u0148uj\u00fa tieto meniace sa normy zo svojej osamelosti. <\/p>\n\n\n\n

Odl\u00fa\u010denie a rast\u00faca nevra\u017eivos\u0165 vytvorili toxick\u00fa online kult\u00faru zalo\u017een\u00fa na mizog\u00fdnii, v ktorej s\u00fa feministky vn\u00edman\u00e9 ako najv\u00e4\u010d\u0161\u00ed probl\u00e9m. S dne\u0161n\u00fdmi hos\u0165ami sa rozpr\u00e1vame o l\u00e1ske, inceloch a o tom, pre\u010do to u\u017e nem\u00f4\u017ee by\u0165 nespr\u00e1vnej\u0161ie.<\/p>\n\n\n\n

Faris Cuchi Gezahgen<\/strong><\/a> je intersekcion\u00e1lna LGBTQIA* aktivistka, performerka a eti\u00f3pska queer znalky\u0148a a kult\u00farna producentka. Je spoluzakladate\u013ekou organiz\u00e1cie House of Guramayle a podpredsedn\u00ed\u010dkou Afro Rainbow Austria<\/a>; prvej organiz\u00e1cie zalo\u017eenej africk\u00fdmi LGBTQI+ komunitami a pre ne v Rak\u00fasku. <\/p>\n\n\n\n

Carin Franzen<\/strong><\/a> od roku 2020 p\u00f4sob\u00ed ako profesorka porovn\u00e1vacej literat\u00fary na Katedre kult\u00fary a estetiky \u0160tokholmskej univerzity. Vo svojom v\u00fdskume sk\u00fama dejiny subjektivity v predmodernej, ako aj modernej a s\u00fa\u010dasnej eur\u00f3pskej literat\u00fare a zaober\u00e1 sa form\u00e1ciami subjektivity. Publikovala o privlast\u0148ovan\u00ed si subjektov\u00fdch poz\u00edci\u00ed stredovek\u00fdmi a ranonovovek\u00fdmi spisovate\u013ekami v trad\u00edcii dvorskej l\u00e1sky. <\/p>\n\n\n\n

Leah Jule Ritterfeld <\/strong>je doktorandkou filozofie na Viedenskej univerzite a venuje sa v\u00fdskumu na t\u00e9mu  \u017divoty bez l\u00e1sky, izolovan\u00e9 mysle: <\/a> Venuje sa radikaliz\u00e1cii, odporu a l\u00e1ske z epistemickej perspekt\u00edvy.<\/p>\n\n\n\n

Stret\u00e1vame sa s nimi v kni\u017enici Nad\u00e1cie Erste vo Viedni. <\/strong><\/p>\n\n\n\n

Tvoriv\u00fd t\u00edm<\/strong><\/h3>\n\n\n\n

R\u00e9ka Kinga Papp, \u0161\u00e9fredaktorka
Merve Akyel, umeleck\u00fd riadite\u013e
Szilvia Pint\u00e9r, producentka
Zs\u00f3fia Gabriella Papp, v\u00fdkonn\u00e1 producentka
Salma Shaka, scen\u00e1ristka-redaktorka
Priyanka Hutschenreiter, asistentka projektu<\/p>\n\n\n\n

Mana\u017ement<\/strong><\/h3>\n\n\n\n

Hermann Riessner  v\u00fdkonn\u00fd riadite\u013e
Judit Csik\u00f3s  projektov\u00e1 mana\u017e\u00e9rka
Csilla Nagyn\u00e9 Kardos, administrat\u00edva kancel\u00e1rie<\/p>\n\n\n\n

OKTO Crew<\/strong><\/h3>\n\n\n\n

Senad Hergi\u0107 producent
Leah Hochedlinger  videoz\u00e1znam
Marlena Stolze  videoz\u00e1znam
Clemens Schmiedbauer videoz\u00e1znam
Richard Brusek zvukov\u00fd z\u00e1znam<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, zvukov\u00e1 technika
Gergely \u00c1ron P\u00e1pai, fotografovanie
L\u00e1szl\u00f3 Hal\u00e1sz, fotografovanie<\/p>\n\n\n\n

Postprodukcia<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ved\u00faca videoeditorka
Istv\u00e1n Nagy, videoeditor
Mil\u00e1n Golovics, konverza\u010dn\u00fd redaktor<\/p>\n\n\n\n

Umenie<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, anim\u00e1cie
Cornelia Frischauf, hudobn\u00fd mot\u00edv<\/a><\/p>\n\n\n\n

Titulky a titulky<\/strong><\/h3>\n\n\n\n

Julia Sobota  skryt\u00e9 titulky, po\u013esk\u00e9 a franc\u00fazske titulky; spr\u00e1va jazykov\u00fdch verzi\u00ed
Farah Ayyash  arabsk\u00e9 titulky
Mia Bel\u00e9n Soriano  \u0161panielske titulky
Marta Ferdebar  chorv\u00e1tske titulky
L\u00eddia N\u00e1dori  Nemeck\u00e9 titulky
Katalin Szlukov\u00e9nyi  ma\u010farsk\u00e9 titulky
Daniela Univazo  nemeck\u00e9 titulky
Olena Yermakova  ukrajinsk\u00e9 titulky
Aida Yermekbayeva  rusk\u00e9 titulky
Mars Zaslavsky  talianske titulky<\/p>\n\n\n\n

Vysiela Kni\u017enica Nad\u00e1cie Erste vo Viedni.<\/strong><\/p>\n\n\n\n

Zdroje<\/strong><\/h3>\n\n\n\n

Valent\u00edn: Snider, Teen Vogue.

Je Valent\u00edn len kapitalistick\u00fd sviatok?“<\/a> Autor: Grace Proctor, Exepose. <\/p>\n\n\n\n

Valent\u00edn:

L\u00e1ska (a biznis) bez obmedzenia: Valent\u00edn sa stal glob\u00e1lnym<\/a> by Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gener\u00e1cia Z a l\u00e1ska: <\/p> Hermine Donceel & Dino Suba\u0161i\u0107, tla\u010dov\u00e1 agent\u00fara Euranet Plus.<\/p>\n\n\n\n

S\u00favisiace \u010d\u00edtanie<\/strong><\/h3>\n\n\n\n

Iris Murdochov\u00e1 a epistemick\u00fd v\u00fdznam l\u00e1sky<\/a> Cathy Mason <\/p>\n\n\n\n

D\u00f4vody l\u00e1sky<\/a> Harry Frankfurt. <\/p>\n\n\n\n

Studen\u00e9 int\u00edmnosti: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

Odhalenie<\/strong><\/h3>\n\n\n\n

T\u00e1to diskusn\u00e1 rel\u00e1cia je produkciou spolo\u010dnosti Display Europe: ide o prelomov\u00fa medi\u00e1lnu platformu ukotven\u00fa vo verejn\u00fdch hodnot\u00e1ch.<\/p>\n\n\n\n

T\u00e1to rel\u00e1cia je spolufinancovan\u00e1 programom Eur\u00f3pskej \u00fanie Kreat\u00edvna Eur\u00f3pa a Eur\u00f3pskou kult\u00farnou nad\u00e1ciou.<\/p>\n\n\n\n

D\u00f4le\u017eit\u00e9 je, \u017ee n\u00e1zory a stanovisk\u00e1 tu vyjadren\u00e9 s\u00fa len n\u00e1zormi autorov a predn\u00e1\u0161aj\u00facich a nemusia nevyhnutne odr\u00e1\u017ea\u0165 n\u00e1zory Eur\u00f3pskej \u00fanie alebo Eur\u00f3pskej v\u00fdkonnej agent\u00fary pre vzdel\u00e1vanie a kult\u00faru (EACEA). Eur\u00f3pska \u00fania ani agent\u00fara EACEA za ne nem\u00f4\u017eu nies\u0165 zodpovednos\u0165.<\/p>\n","protected":false},"excerpt":{"rendered":"

Od iskriv\u00fdch skupinov\u00fdch objat\u00ed na z\u00e1klade vz\u00e1jomn\u00e9ho s\u00fahlasu cez zoznamovacie aplik\u00e1cie a\u017e po incesty: valent\u00ednska epiz\u00f3da seri\u00e1lu \u0160tandardn\u00fd \u010das sa zaober\u00e1 t\u00fdm, ako l\u00e1ska men\u00ed \u013eud\u00ed a ako \u013eudia menia l\u00e1sku.<\/p>\n","protected":false},"author":1,"featured_media":25351,"parent":0,"template":"","tags":[],"displeu_category":[],"class_list":["post-32161","video","type-video","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/video\/32161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/video"}],"about":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/types\/video"}],"author":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/media\/25351"}],"wp:attachment":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/media?parent=32161"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/tags?post=32161"},{"taxonomy":"displeu_category","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/displeu_category?post=32161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}