{"id":42773,"date":"2024-06-03T13:05:20","date_gmt":"2024-06-03T11:05:20","guid":{"rendered":"https:\/\/archive.displayeurope.eu\/video\/hrobove-zalezitosti\/"},"modified":"2024-11-15T10:01:52","modified_gmt":"2024-11-15T09:01:52","slug":"zalezitosti-hrobov","status":"publish","type":"video","link":"https:\/\/archive.displayeurope.eu\/sk\/video\/zalezitosti-hrobov\/","title":{"rendered":"Hrobov\u00e9 z\u00e1le\u017eitosti"},"content":{"rendered":"\n\n\n

Smr\u0165 bola v dejin\u00e1ch \u013eudstva v\u017edy silne ritualizovan\u00e1 a v\u017edy zamestn\u00e1vala na\u0161e predstavy. Univerz\u00e1lnu em\u00f3ciu sm\u00fatku poci\u0165uj\u00fa v\u0161etci a v r\u00f4znych kult\u00farach a n\u00e1bo\u017eenstv\u00e1ch sa prejavuje r\u00f4zne. Vo v\u00fdchodnej \u00c1zii a v Stredomor\u00ed sa naj\u00edmaj\u00fa profesion\u00e1lni sm\u00fato\u010dn\u00ed hostia, ktor\u00ed sprev\u00e1dzaj\u00fa rodinu a komunitu zosnul\u00e9ho, zatia\u013e \u010do na miestach, ako je Indon\u00e9zia, sa pla\u010d nepodporuje a mnoh\u00e9 ritu\u00e1ly na celom svete sa rozhodli osl\u00e1vi\u0165 \u017eivot zosnul\u00e9ho rados\u0165ou a tancom, alebo dokonca napriek bolesti zo straty. <\/p>\n\n

Rel\u00e1ciu si m\u00f4\u017eete vypo\u010du\u0165 aj vo form\u00e1te podcastu na CBA alebo v ktoromko\u013evek z be\u017en\u00fdch agreg\u00e1torov podcastov vyh\u013eadan\u00edm talk show Standard Time<\/strong><\/a><\/p>\n\n

Aj v Eur\u00f3pe sa ritu\u00e1ly spojen\u00e9 so sm\u00fatkom a sm\u00faten\u00edm l\u00ed\u0161ia; od sl\u00e1vnostn\u00e9ho katol\u00edckeho pohrebu v Taliansku a\u017e po radostn\u00e9 oslavy \u017eivota v r\u00e1mci \u0161panielskeho D\u0148a m\u0155tvych – kontinent zah\u0155\u0148a \u0161irok\u00e9 spektrum pr\u00edstupov k rozl\u00fa\u010dke s bl\u00edzkymi. V Nemecku je krem\u00e1cia be\u017enou praxou a pova\u017euje sa za formu prirodzen\u00e9ho pohrebu – aj ke\u010f mnoh\u00ed aktivisti upozor\u0148uj\u00fa na vysok\u00e9 emisie CO2 a toxick\u00fdch v\u00fdparov. <\/p>\n\n

V Eur\u00f3pe sa \u010doraz viac presadzuj\u00fa technol\u00f3gie, ktor\u00e9 s\u00fa \u0161etrnej\u0161ie k pr\u00edrode, \u010do je odrazom zmeny postoja k smrti a \u017eivotn\u00e9mu prostrediu. Namiesto zlo\u017eit\u00fdch rakv\u00ed a silne zne\u010dis\u0165uj\u00facich balzamovac\u00edch chemik\u00e1li\u00ed si niektor\u00ed \u013eudia vyberaj\u00fa biologicky rozlo\u017eite\u013en\u00e9 materi\u00e1ly a ekologick\u00e9 postupy, ktor\u00e9 umo\u017e\u0148uj\u00fa, aby sa ich tel\u00e1 vr\u00e1tili do zeme v harmonickom cykle \u017eivota a smrti. <\/p>\n\n

Smr\u0165 je aj ekonomickou ot\u00e1zkou, preto\u017ee v\u00e4\u010d\u0161ina pohrebn\u00fdch obradov je ve\u013emi n\u00e1kladn\u00e1 a ich financovanie m\u00f4\u017ee niekedy privies\u0165 sm\u00fatiace rodiny na mizinu.<\/p>\n\n

V r\u00e1mci E\u00da s\u00fa sm\u00fatok a sm\u00fatenie sporn\u00fdmi t\u00e9mami. Nebezpe\u010denstvo ute\u010dencov, ktor\u00ed sa sna\u017eia dosta\u0165 do Eur\u00f3py, zaplavilo pobre\u017eie Stredozemn\u00e9ho mora nepredv\u00eddate\u013en\u00fdm mno\u017estvom m\u0155tvych tiel, \u010do \u013eud\u00ed n\u00fati kl\u00e1s\u0165 si ot\u00e1zku: maj\u00fa v\u0161etky \u017eivoty rovnak\u00fa hodnotu? Sme si v smrti rovn\u00ed?<\/p>\n\n

Niektor\u00e9 tel\u00e1 s\u00fa spochyb\u0148ovan\u00e9 z in\u00fdch d\u00f4vodov – pohreby LGBTQIA+ rie\u0161ia priepas\u0165 medzi \u017eitou realitou a heteronormat\u00edvnymi ritu\u00e1lmi konven\u010dn\u00fdch pohrebov. <\/p>\n\n

Dne\u0161n\u00ed hostia <\/strong><\/p>\n\n

Yvonno Leeb<\/strong><\/a> pochov\u00e1va a predn\u00e1\u0161a na t\u00e9my procesne orientovan\u00fdch pohrebov, starostlivosti o m\u0155tvych, ako aj queer smrti. Pohrebn\u00edctvu sa venuje od roku 2019 a v berl\u00ednskej neziskovej organiz\u00e1cii Kultur Trauer, ktor\u00e1 pon\u00faka vzdel\u00e1vacie a kult\u00farne programy o smrti, sa podie\u013eala na n\u00e1vrhu vzdel\u00e1vacieho programu pre pohrebn\u00edkov. S\u00fa tie\u017e jedn\u00fdmi zo spoluzakladate\u013eov organiz\u00e1cie Tamo Burials<\/a> vo Viedni. <\/p>\n\n

Anastasia Smirnova<\/strong><\/a> ned\u00e1vno z\u00edskala magistersk\u00fd titul v odbore architekt\u00fara na Univerzite \u00fa\u017eitkov\u00e9ho umenia vo Viedni a pracovala na projekte Circumitus<\/a>. V r\u00e1mci tejto iniciat\u00edvy umiest\u0148uje na viedenskom centr\u00e1lnom cintor\u00edne mal\u00e9 pavil\u00f3ny na podporu sm\u00fatiacich os\u00f4b a zav\u00e1dza nov\u00e9 ritu\u00e1ly, ktor\u00e9 menia na\u0161e tradi\u010dn\u00e9 vn\u00edmanie cintor\u00ednov. <\/p>\n\n

Stefan Dinges<\/strong><\/a> je teol\u00f3g, konzultant, medi\u00e1tor a lek\u00e1rsky etik na In\u0161tit\u00fate pre etiku a pr\u00e1vo v medic\u00edne na Viedenskej univerzite. Je \u010dlenom t\u00edmu Letzte Hilfe \u00d6sterreich<\/a>, ktor\u00fd poskytuje kurzy pre verejnos\u0165 o pomoci v z\u00e1vere \u017eivota a starostlivosti o umieraj\u00facich. <\/p>\n\n

P\u00f4vodne architektka a interi\u00e9rov\u00e1 dizajn\u00e9rka No\u00e9mi Ambr\u00f3zy <\/strong><\/a>zmenila svoju kari\u00e9ru po tom, ako sa stala matkou dvoch sluchovo postihnut\u00fdch det\u00ed. Je certifikovanou vzdel\u00e1vate\u013ekou v oblasti sm\u00fatku<\/a> a in\u0161truktorkou organiz\u00e1cie Hand in Hand Parenting<\/a>. Ako profesion\u00e1lka pracuje so stratami a \u0161pecifick\u00fdmi v\u00fdzvami ka\u017edodenn\u00e9ho \u017eivota prostredn\u00edctvom vn\u00fatornej sily a budovania komunity. Zastupuje Ma\u010farsk\u00fa asoci\u00e1ciu pre zatmenie slnka<\/a>, ktorej hlavn\u00fdm cie\u013eom je pom\u00e1ha\u0165 pozostal\u00fdm a sk\u00fama\u0165 ot\u00e1zky sm\u00fatenia. <\/p>\n\n

Stret\u00e1vame sa s nimi v Alte Schmiede Kunstverein vo Viedni.<\/p>\n\n

Zdroje <\/strong><\/p>\n\n

Smr\u0165 a umieranie: ako sa r\u00f4zne kult\u00fary vyrovn\u00e1vaj\u00fa so sm\u00fatkom a sm\u00faten\u00edm<\/a>, John Frederick Wilson, The Conversation. <\/p>\n\n

Pre\u010do d\u00e1nski rodi\u010dia radi hovoria o smrti,<\/a> Jessica Joelle Alexander, Time. <\/p>\n\n

Pre\u010do Eur\u00f3pa netrp\u00ed nad \u00famrtiami v Stredozemnom mori? <\/a>Heidi Mogstad, Aljazeera. <\/p>\n\n

Sk\u00famanie spolo\u010dn\u00fdch pohrebn\u00fdch ritu\u00e1lov po celom svete<\/a>, Jednoduch\u00e9 alternat\u00edvy. <\/p>\n\n

Pohreby po celom svete: Eur\u00f3pa,<\/a> bezpe\u010dnos\u0165 N\u00e1rodn\u00e1. <\/p>\n\n

Kreat\u00edvny t\u00edm<\/strong><\/h3>\n\n

R\u00e9ka Kinga Papp, \u0161\u00e9fredaktorkaMerve Akyel, umeleck\u00e1 riadite\u013ekaSzilvia Pint\u00e9r, producentkaZs\u00f3fia Gabriella Papp, producentka digitaSalma Shaka, editorkaPriyanka Hutschenreiter, asistentka projektu<\/p>\n\n

Mana\u017ement<\/strong><\/h3>\n\n

Hermann Riessner, v\u00fdkonn\u00fd riadite\u013eJudit Csik\u00f3s, projektov\u00e1 mana\u017e\u00e9rkaCsilla Nagyn\u00e9 Kardos, administrat\u00edva kancel\u00e1rie<\/p>\n\n

Pos\u00e1dka OKTO<\/strong><\/h3>\n\n

Senad Hergi\u0107, producentLeah Hochedlinger, videoz\u00e1znamMarlena Stolze, videoz\u00e1znamClemens Schmiedbauer, videoz\u00e1znamRichard Brusek, zvukov\u00fd z\u00e1znam<\/p>\n\n

Postprodukcia<\/strong><\/h3>\n\n

Milan Golovics, editor dial\u00f3govN\u00f3ra Ruszkai, editor videaIstv\u00e1n Nagy, postprodukcia<\/p>\n\n

Art<\/strong><\/h3>\n\n

Victor Maria Lima, anim\u00e1ciaCornelia Frischauf, hudobn\u00fd mot\u00edv<\/a><\/p>\n\n

Titulky a podtitulky<\/strong><\/h3>\n\n

Julia Sobota, Daniela Univazo, Mars Zaslavsky, Marta Ferdebar, Olena Yermakova, Farah Ayyash<\/p>\n\n

Hos\u0165uje Alte Schmiede Kunstverein, Viede\u0148 <\/strong><\/p>\n\n

Zverejnenie<\/strong><\/h3>\n\n

T\u00e1to talkshow je produkciou Display Europe: ide o prelomov\u00fa medi\u00e1lnu platformu, ktor\u00e1 je zalo\u017een\u00e1 na verejn\u00fdch hodnot\u00e1ch.<\/p>\n\n

\"\"<\/figure>\n\n

Tento program je spolufinancovan\u00fd programom Eur\u00f3pskej \u00fanie Kreat\u00edvna Eur\u00f3pa a Eur\u00f3pskou kult\u00farnou nad\u00e1ciou.<\/p>\n\n

D\u00f4le\u017eit\u00e9 je, \u017ee n\u00e1zory a stanovisk\u00e1 vyjadren\u00e9 v tomto dokumente s\u00fa len n\u00e1zormi autorov a re\u010dn\u00edkov a nemusia nevyhnutne odr\u00e1\u017ea\u0165 n\u00e1zory a stanovisk\u00e1 Eur\u00f3pskej \u00fanie alebo V\u00fdkonnej agent\u00fary pre vzdel\u00e1vanie a kult\u00faru (EACEA). Eur\u00f3pska \u00fania ani agent\u00fara EACEA za ne nem\u00f4\u017eu nies\u0165 zodpovednos\u0165.<\/p>\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Smr\u0165 zohr\u00e1va k\u013e\u00fa\u010dov\u00fa \u00falohu vo v\u00e4\u010d\u0161ine n\u00e1bo\u017eenstiev, mor\u00e1lnych syst\u00e9mov a pr\u00e1vnych kon\u0161trukci\u00ed. Aj ke\u010f je to \u0165a\u017ek\u00e1 t\u00e9ma, hovori\u0165 o nej je o to d\u00f4le\u017eitej\u0161ie, aby sme sa vyrovnali so sm\u00fatkom, ktor\u00fd sp\u00f4sobuje. V tejto hrobovej epiz\u00f3de rel\u00e1cie \u0160tandardn\u00fd \u010das sa venujeme pohrebn\u00edctvu, komunite a ekol\u00f3gii.<\/p>\n","protected":false},"author":11,"featured_media":41035,"parent":0,"template":"","tags":[],"displeu_category":[],"class_list":["post-42773","video","type-video","status-publish","has-post-thumbnail","hentry","displeu_authors__repo-standard-time"],"_links":{"self":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/video\/42773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/video"}],"about":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/types\/video"}],"author":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/users\/11"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/media\/41035"}],"wp:attachment":[{"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/media?parent=42773"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/tags?post=42773"},{"taxonomy":"displeu_category","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/sk\/wp-json\/wp\/v2\/displeu_category?post=42773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}