{"id":32128,"date":"2024-02-15T19:33:25","date_gmt":"2024-02-15T18:33:25","guid":{"rendered":"https:\/\/archive.displayeurope.eu\/video\/sevme-bicimlerimiz\/"},"modified":"2024-06-27T09:23:55","modified_gmt":"2024-06-27T07:23:55","slug":"the-ways-we-love","status":"publish","type":"video","link":"https:\/\/archive.displayeurope.eu\/tr\/video\/the-ways-we-love\/","title":{"rendered":"Sevme bi\u00e7imlerimiz"},"content":{"rendered":"\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

Sanat<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animasyon
Cornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

\u00dcretim Sonras\u0131<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ba\u015f video edit\u00f6r\u00fc
Istv\u00e1n Nagy, video edit\u00f6r\u00fc
Mil\u00e1n Golovics, sohbet edit\u00f6r\u00fc<\/p>\n\n\n\n

Sanat<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animasyon
Cornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ses m\u00fchendisli\u011fi
Gergely \u00c1ron P\u00e1pai, foto\u011fraf
L\u00e1szl\u00f3 Hal\u00e1sz, foto\u011fraf<\/p>\n\n\n\n

\u00dcretim Sonras\u0131<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ba\u015f video edit\u00f6r\u00fc
Istv\u00e1n Nagy, video edit\u00f6r\u00fc
Mil\u00e1n Golovics, sohbet edit\u00f6r\u00fc<\/p>\n\n\n\n

Sanat<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animasyon
Cornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

OKTO Ekibi<\/strong><\/h3>\n\n\n\n

Senad Hergi\u0107 yap\u0131mc\u0131
Leah Hochedlinger  video kay\u0131t
Marlena Stolze  video kay\u0131t
Clemens Schmiedbauer video kay\u0131t
Richard Brusek ses kay\u0131t<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ses m\u00fchendisli\u011fi
Gergely \u00c1ron P\u00e1pai, foto\u011fraf
L\u00e1szl\u00f3 Hal\u00e1sz, foto\u011fraf<\/p>\n\n\n\n

\u00dcretim Sonras\u0131<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ba\u015f video edit\u00f6r\u00fc
Istv\u00e1n Nagy, video edit\u00f6r\u00fc
Mil\u00e1n Golovics, sohbet edit\u00f6r\u00fc<\/p>\n\n\n\n

Sanat<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animasyon
Cornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

Y\u00f6netim<\/strong><\/h3>\n\n\n\n

Hermann Riessner  genel m\u00fcd\u00fcr
Judit Csik\u00f3s  proje m\u00fcd\u00fcr\u00fc
Csilla Nagyn\u00e9 Kardos, ofis y\u00f6netimi<\/p>\n\n\n\n

OKTO Ekibi<\/strong><\/h3>\n\n\n\n

Senad Hergi\u0107 yap\u0131mc\u0131
Leah Hochedlinger  video kay\u0131t
Marlena Stolze  video kay\u0131t
Clemens Schmiedbauer video kay\u0131t
Richard Brusek ses kay\u0131t<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ses m\u00fchendisli\u011fi
Gergely \u00c1ron P\u00e1pai, foto\u011fraf
L\u00e1szl\u00f3 Hal\u00e1sz, foto\u011fraf<\/p>\n\n\n\n

\u00dcretim Sonras\u0131<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ba\u015f video edit\u00f6r\u00fc
Istv\u00e1n Nagy, video edit\u00f6r\u00fc
Mil\u00e1n Golovics, sohbet edit\u00f6r\u00fc<\/p>\n\n\n\n

Sanat<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animasyon
Cornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n\n\n

Yarat\u0131c\u0131 ekip<\/strong><\/h3>\n\n\n\n

R\u00e9ka Kinga Papp, genel yay\u0131n y\u00f6netmeni
Merve Akyel, sanat y\u00f6netmeni
Szilvia Pint\u00e9r, yap\u0131mc\u0131
Zs\u00f3fia Gabriella Papp, y\u00f6netici yap\u0131mc\u0131
Salma Shaka, yazar-edit\u00f6r
Priyanka Hutschenreiter, proje asistan\u0131<\/p>\n\n\n\n

Y\u00f6netim<\/strong><\/h3>\n\n\n\n

Hermann Riessner  genel m\u00fcd\u00fcr
Judit Csik\u00f3s  proje m\u00fcd\u00fcr\u00fc
Csilla Nagyn\u00e9 Kardos, ofis y\u00f6netimi<\/p>\n\n\n\n

OKTO Ekibi<\/strong><\/h3>\n\n\n\n

Senad Hergi\u0107 yap\u0131mc\u0131
Leah Hochedlinger  video kay\u0131t
Marlena Stolze  video kay\u0131t
Clemens Schmiedbauer video kay\u0131t
Richard Brusek ses kay\u0131t<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ses m\u00fchendisli\u011fi
Gergely \u00c1ron P\u00e1pai, foto\u011fraf
L\u00e1szl\u00f3 Hal\u00e1sz, foto\u011fraf<\/p>\n\n\n\n

\u00dcretim Sonras\u0131<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ba\u015f video edit\u00f6r\u00fc
Istv\u00e1n Nagy, video edit\u00f6r\u00fc
Mil\u00e1n Golovics, sohbet edit\u00f6r\u00fc<\/p>\n\n\n\n

Sanat<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animasyon
Cornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n\n

Sevgililer G\u00fcn\u00fc kutlamalar\u0131n\u0131n bilinmeyen k\u00f6kenlerine ra\u011fmen<\/a>, tarihsel gelenek bug\u00fcn\u00fcn<\/a> meta fantezisine hi\u00e7 benzemiyor ve bunun i\u00e7in Hallmark \u015firketini su\u00e7layabiliriz<\/a>. Bu \u015firket 1913 y\u0131l\u0131nda Sevgililer G\u00fcn\u00fc’n\u00fcn ticarile\u015ftirilmesine \u00f6nc\u00fcl\u00fck etmi\u015f, daha sonra bunu 80’li y\u0131llar\u0131n ortalar\u0131nda \u00e7ikolata, \u00e7i\u00e7ek ve m\u00fccevher end\u00fcstrileri izlemi\u015ftir. <\/p>\n\n\n\n

Baz\u0131 yerel farkl\u0131l\u0131klar devam etse de, k\u00fcreselle\u015fen k\u00fclt\u00fcr ihracat\u0131 Sevgililer G\u00fcn\u00fc’n\u00fcn g\u00fcn\u00fcm\u00fczde nas\u0131l kutland\u0131\u011f\u0131n\u0131 etkilemi\u015ftir. romantik ili\u015fkilere bak\u0131\u015f a\u00e7\u0131m\u0131z\u0131n <\/a>bu olgu nedeniyle de\u011fi\u015fti\u011fi ve k\u00fclt\u00fcrler aras\u0131nda sevgiyi ifade etme bi\u00e7imlerimizin<\/a> Bat\u0131l\u0131 ve ataerkil ‘normlar’ lehine kayboldu\u011fu iddia edilmektedir. <\/p>\n\n\n\n

Dijitalle\u015fme ile birlikte fl\u00f6rt farkl\u0131 bir \u015fekil almaya ba\u015flad\u0131<\/a> ve gen\u00e7ler ak\u0131\u015fkanl\u0131k, k\u0131s\u0131tlay\u0131c\u0131 olmayan taahh\u00fctler ve a\u00e7\u0131k ileti\u015fim fikirlerine a\u00e7\u0131l\u0131yor. <\/p>\n\n\n\n

Ancak baz\u0131lar\u0131 ili\u015fkilerini daha e\u015fit ve kapsay\u0131c\u0131 hale getirmek i\u00e7in m\u00fccadele ederken, baz\u0131lar\u0131 bu konuda \u00e7ok \u00fczg\u00fcn; yaln\u0131zl\u0131klar\u0131 i\u00e7in bu de\u011fi\u015fen standartlar\u0131 su\u00e7luyorlar. <\/p>\n\n\n\n

Sevgisizlik ve artan k\u0131zg\u0131nl\u0131k, feministlerin nihai sorun olarak alg\u0131land\u0131\u011f\u0131, kad\u0131n d\u00fc\u015fmanl\u0131\u011f\u0131na dayal\u0131 zehirli bir \u00e7evrimi\u00e7i k\u00fclt\u00fcr \u00fcretti. Bug\u00fcnk\u00fc konuklar\u0131m\u0131zla a\u015fk\u0131, incelleri ve bunun neden daha yanl\u0131\u015f olamayaca\u011f\u0131n\u0131 konu\u015fuyoruz.<\/p>\n\n\n\n

Faris Cuchi Gezahgen<\/strong><\/a> kesi\u015fimsel bir LGBTQIA* aktivisti, performans sanat\u00e7\u0131s\u0131 ve Etiyopyal\u0131 Queer bilgi ve k\u00fclt\u00fcr \u00fcreticisidir. House of Guramayle’in kurucu orta\u011f\u0131 ve Avusturya’da Afrikal\u0131 LGBTQI+ topluluklar\u0131 taraf\u0131ndan ve onlar i\u00e7in kurulan ilk organizasyon olan Afro Rainbow Austria<\/a>‘n\u0131n ba\u015fkan yard\u0131mc\u0131s\u0131d\u0131r. <\/p>\n\n\n\n

Carin Franzen<\/strong><\/a> 2020 y\u0131l\u0131ndan beri Stockholm \u00dcniversitesi K\u00fclt\u00fcr ve Estetik B\u00f6l\u00fcm\u00fc’nde Kar\u015f\u0131la\u015ft\u0131rmal\u0131 Edebiyat profes\u00f6r\u00fcd\u00fcr. Ara\u015ft\u0131rmalar\u0131nda modern \u00f6ncesi, modern ve \u00e7a\u011fda\u015f Avrupa edebiyat\u0131nda \u00f6znellik tarihini ara\u015ft\u0131rmakta ve \u00f6znellik olu\u015fumlar\u0131yla ilgilenmektedir. Orta\u00e7a\u011f ve erken modern kad\u0131n yazarlar\u0131n saray a\u015fk\u0131 gelene\u011findeki \u00f6zne konumlar\u0131n\u0131 kendilerine mal etmeleri \u00fczerine yay\u0131nlar\u0131 bulunmaktad\u0131r. <\/p>\n\n\n\n

Leah Jule Ritterfeld <\/strong> Viyana \u00dcniversitesi Felsefe B\u00f6l\u00fcm\u00fc’nde doktora \u00f6\u011frencisidir ve ara\u015ft\u0131rmalar\u0131n\u0131  Love-less Lives, Isolated Minds \u00fczerine yapmaktad\u0131r: The Epistemic Fallout of Incels.<\/a> Radikalle\u015fme, k\u0131zg\u0131nl\u0131k ve a\u015fk \u00fczerine epistemik bir perspektiften \u00e7al\u0131\u015f\u0131yor.<\/p>\n\n\n\n

Onlarla Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi’nde bulu\u015fuyoruz. <\/strong><\/p>\n\n\n\n

Yarat\u0131c\u0131 ekip<\/strong><\/h3>\n\n\n\n

R\u00e9ka Kinga Papp, genel yay\u0131n y\u00f6netmeni
Merve Akyel, sanat y\u00f6netmeni
Szilvia Pint\u00e9r, yap\u0131mc\u0131
Zs\u00f3fia Gabriella Papp, y\u00f6netici yap\u0131mc\u0131
Salma Shaka, yazar-edit\u00f6r
Priyanka Hutschenreiter, proje asistan\u0131<\/p>\n\n\n\n

Y\u00f6netim<\/strong><\/h3>\n\n\n\n

Hermann Riessner  genel m\u00fcd\u00fcr
Judit Csik\u00f3s  proje m\u00fcd\u00fcr\u00fc
Csilla Nagyn\u00e9 Kardos, ofis y\u00f6netimi<\/p>\n\n\n\n

OKTO Ekibi<\/strong><\/h3>\n\n\n\n

Senad Hergi\u0107 yap\u0131mc\u0131
Leah Hochedlinger  video kay\u0131t
Marlena Stolze  video kay\u0131t
Clemens Schmiedbauer video kay\u0131t
Richard Brusek ses kay\u0131t<\/p>\n\n\n\n

Video Crew Budapest<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ses m\u00fchendisli\u011fi
Gergely \u00c1ron P\u00e1pai, foto\u011fraf
L\u00e1szl\u00f3 Hal\u00e1sz, foto\u011fraf<\/p>\n\n\n\n

\u00dcretim Sonras\u0131<\/strong><\/h3>\n\n\n\n

N\u00f3ra Ruszkai, ba\u015f video edit\u00f6r\u00fc
Istv\u00e1n Nagy, video edit\u00f6r\u00fc
Mil\u00e1n Golovics, sohbet edit\u00f6r\u00fc<\/p>\n\n\n\n

Sanat<\/strong><\/h3>\n\n\n\n

Victor Maria Lima, animasyon
Cornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n\n\n

Julia Sobota  altyaz\u0131, Leh\u00e7e ve Frans\u0131zca altyaz\u0131; dil versiyonlar\u0131 y\u00f6netimi
Farah Ayyash  Arap\u00e7a altyaz\u0131
Mia Bel\u00e9n Soriano  \u0130spanyolca altyaz\u0131
Marta Ferdebar  H\u0131rvat\u00e7a altyaz\u0131
L\u00eddia N\u00e1dori  Almanca altyaz\u0131
Katalin Szlukov\u00e9nyi  Macarca altyaz\u0131
Daniela Univazo  Almanca altyaz\u0131
Olena Yermakova  Ukraynaca altyaz\u0131
Aida Yermekbayeva  Rus\u00e7a altyaz\u0131
Mars Zaslavsky  \u0130talyanca altyaz\u0131<\/p>\n\n\n\n

Viyana’daki Erste Vakf\u0131 K\u00fct\u00fcphanesi taraf\u0131ndan d\u00fczenlenmektedir.<\/strong><\/p>\n\n\n\n

Kaynaklar<\/strong><\/h3>\n\n\n\n

Valentine’s Day: ABD’de Nas\u0131l Ba\u015flad\u0131 ve Pop\u00fcler Oldu?”<\/a> yazan Amber C. Snider, Teen Vogue.

Sevgililer G\u00fcn\u00fc Sadece Kapitalist Bir Tatil mi?”<\/a> yazan Grace Proctor, Exepose. <\/p>\n\n\n\n

Valentine’s Day: A Global Perspective<\/a> by Markus Giesler, Huffpost.

Love (and business) unlimited: Sevgililer G\u00fcn\u00fc k\u00fcreselle\u015fti<\/a> yazan Chris Jackson, Ipsos. <\/p>\n\n\n\n

Gen Z-ers and Love: Flutter, Then Land<\/a> by Hermine Donceel &; Dino Suba\u0161i\u0107, Euranet Plus Haber Ajans\u0131.<\/p>\n\n\n\n

\u0130lgili okumalar<\/strong><\/h3>\n\n\n\n

Iris Murdoch ve A\u015fk\u0131n Epistemik \u00d6nemi<\/a> yazan Cathy Mason <\/p>\n\n\n\n

A\u015fk\u0131n Nedenleri<\/a> yazan Harry Frankfurt. <\/p>\n\n\n\n

Cold Intimacies: The Making of Emotional Capitalism<\/a> by Eva Illouz. <\/p>\n\n\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131 \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>.\n\n\n\n

\u00d6nemli olarak, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmamaktad\u0131r. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Standart Zaman’\u0131n Sevgililer G\u00fcn\u00fc b\u00f6l\u00fcm\u00fcnde a\u015fk\u0131n insanlar\u0131 nas\u0131l de\u011fi\u015ftirdi\u011fi ve insanlar\u0131n a\u015fk\u0131 nas\u0131l de\u011fi\u015ftirdi\u011fi ele al\u0131n\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":25354,"parent":0,"template":"","tags":[],"displeu_category":[],"class_list":["post-32128","video","type-video","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/video\/32128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/video"}],"about":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/types\/video"}],"author":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/media\/25354"}],"wp:attachment":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/media?parent=32128"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/tags?post=32128"},{"taxonomy":"displeu_category","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/displeu_category?post=32128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}