{"id":37708,"date":"2024-04-26T10:34:46","date_gmt":"2024-04-26T08:34:46","guid":{"rendered":"https:\/\/archive.displayeurope.eu\/video\/satisa-sunulan-duzenli-depolama-sahalari\/"},"modified":"2024-11-15T10:00:41","modified_gmt":"2024-11-15T09:00:41","slug":"satistaki%cc%87-cop-sahalari","status":"publish","type":"video","link":"https:\/\/archive.displayeurope.eu\/tr\/video\/satistaki%cc%87-cop-sahalari\/","title":{"rendered":"Sat\u0131\u015fa sunulan \u00e7\u00f6p sahalar\u0131"},"content":{"rendered":"\n\n\n

Her y\u0131l yakla\u015f\u0131k 80 milyar par\u00e7a giysi t\u00fcketilmekte ve bu miktar\u0131n neredeyse %85’i her y\u0131l \u00e7\u00f6pl\u00fcklerde son bulmaktad\u0131r. <\/a> Bu durum, artan karbon emisyonlar\u0131 ve su kaynaklar\u0131na d\u00f6k\u00fclen zehirli at\u0131klarla t\u00fcm d\u00fcnyay\u0131 etkilemektedir. Etkilenen b\u00f6lgelerde ya\u015fayan topluluklar bu olumsuz etkilerin y\u00fck\u00fcn\u00fc ta\u015f\u0131maktad\u0131r. Ayr\u0131ca, konfeksiyon i\u015f\u00e7ileri korkun\u00e7 \u00e7al\u0131\u015fma ko\u015fullar\u0131na maruz kalmakta ve genellikle yoksulluk s\u0131n\u0131r\u0131n\u0131n alt\u0131nda \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n\n

T\u00fcketicilerin bilin\u00e7lenmesi ve i\u015f\u00e7i protestolar\u0131n\u0131n<\/a> artmas\u0131yla birlikte, bir\u00e7ok \u015firket s\u00f6m\u00fcr\u00fcc\u00fc uygulamalar\u0131na devam ederken kendilerini s\u00fcrd\u00fcr\u00fclebilir olarak tan\u0131tmak i\u00e7in ye\u015fil y\u0131kamaya<\/a> y\u00f6neliyor. Ancak aktivistler ve STK’lar g\u00f6steri\u015fle yetinmeyi reddediyor: h\u0131zl\u0131 moda end\u00fcstrisine yap\u0131sal olarak meydan okumak istiyorlar. Daha s\u0131k\u0131 yasalar ve sekt\u00f6r\u00fcn \u015feffafl\u0131\u011f\u0131 i\u00e7in lobi faaliyetleri y\u00fcr\u00fct\u00fcyor ve s\u0131rt\u0131m\u0131zdaki giysileri nas\u0131l t\u00fcketti\u011fimizi yeniden hayal etmemizi sa\u011flayacak alternatifler \u00f6neriyorlar. <\/p>\n\n

Etik tasar\u0131mc\u0131lar i\u00e7in alan giderek daral\u0131yor gibi g\u00f6r\u00fcnse de pek \u00e7o\u011fu umutlu olmaya devam ediyor. Konuk konu\u015fmac\u0131lar\u0131m\u0131za, yarat\u0131c\u0131 i\u015fbirli\u011fi ve stilin hala geli\u015febildi\u011fi s\u00fcrd\u00fcr\u00fclebilir bir moda end\u00fcstrisi in\u015fa etme olas\u0131l\u0131klar\u0131n\u0131 soruyoruz. <\/p>\n\n

Gertrude Klaffenb\u00f6ck <\/strong>, Viyana’daki Do\u011fal Kaynaklar ve Ya\u015fam Bilimleri \u00dcniversitesi’nden (BOKU) Tar\u0131m Ekonomisi diplomas\u0131n\u0131 ald\u0131ktan sonra Viyana FH Technikum’da Ekotoksikoloji ve \u00c7evre Y\u00f6netimi alan\u0131nda y\u00fcksek lisans yapt\u0131. S\u00fcdwind ve FIAN Avusturya’daki uzun kariyerinin ard\u0131ndan, \u015fu anda k\u00fcresel giyim end\u00fcstrisinde i\u015f\u00e7i haklar\u0131n\u0131 iyile\u015ftirmeyi ama\u00e7layan Temiz<\/a> Giysi Kampanyas\u0131<\/a>‘nda koordinat\u00f6r olarak \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n\n

Laura \u0218tef\u0103nu\u021b <\/strong>B\u00fckre\u015f’te ya\u015fayan ara\u015ft\u0131rmac\u0131 bir gazeteci ve Viyana \u0130nsan Bilimleri Enstit\u00fcs\u00fc’nde 2019 Milena Jesensk\u00e1 bursiyeri. Ayn\u0131 zamanda Romanya’daki haz\u0131r giyim i\u015f\u00e7ilerine hukuki yard\u0131m sa\u011flayan ve onlar\u0131 haklar\u0131 konusunda bilgilendiren haine CURATE<\/a>‘in kurucusudur. Do\u011fu Avrupa haz\u0131r giyim end\u00fcstrisi hakk\u0131ndaki hikayeleri<\/a> Reuters, Balkan Insight ve Arte TV gibi yay\u0131n organlar\u0131nda yer ald\u0131 ve \u015fu anda AB haz\u0131r giyim i\u015f\u00e7ileri hakk\u0131nda bir kitap \u00fczerinde \u00e7al\u0131\u015f\u0131yor. <\/p>\n\n

Meha Jhajharia<\/strong><\/a>, Kolkata-Viyana merkezli bir multimedya g\u00f6rsel sanat\u00e7\u0131s\u0131d\u0131r ve \u015fu anda Viyana \u00dcniversitesi’nde biyomatematik alan\u0131nda y\u00fcksek lisans yapmaktad\u0131r. Matematiksel modelleme yard\u0131m\u0131yla siyasi hareketlerdeki geli\u015fmeleri izlemek i\u00e7in iklim de\u011fi\u015fikli\u011fi y\u00f6r\u00fcngelerini kullanma y\u00f6ntemlerini ara\u015ft\u0131r\u0131yorlar. Meha ayn\u0131 zamanda QTBIPOC diasporas\u0131 i\u00e7in dans pistleri d\u00fczenlemeye adanm\u0131\u015f Viyana merkezli bir kolektif olan Spice Mixers<\/a>‘\u0131n kurucu orta\u011f\u0131 ve organizat\u00f6r\u00fcd\u00fcr.<\/p>\n\n

Onlarla Viyana’daki Alte Schmiede Kunstverein’da bulu\u015fuyoruz.<\/p>\n\n

Yarat\u0131c\u0131 ekip<\/strong><\/h3>\n\n

R\u00e9ka Kinga Papp, genel yay\u0131n y\u00f6netmeniMerve Akyel, sanat y\u00f6netmeniSzilvia Pint\u00e9r, yap\u0131mc\u0131Zs\u00f3fia Gabriella Papp, digita yap\u0131mc\u0131s\u0131Salma Shaka, yazar-edit\u00f6rPriyanka Hutschenreiter, proje asistan\u0131<\/p>\n\n

Y\u00f6netim<\/strong><\/h3>\n\n

Hermann Riessner, Genel M\u00fcd\u00fcrJudit Csik\u00f3s, Proje M\u00fcd\u00fcr\u00fcCsilla Nagyn\u00e9 Kardos, Ofis Y\u00f6netimi<\/p>\n\n

OKTO Ekibi<\/strong><\/h3>\n\n

Senad Hergi\u0107, yap\u0131mc\u0131Leah Hochedlinger, video kayd\u0131Marlena Stolze, video kayd\u0131Clemens Schmiedbauer, video kayd\u0131Richard Brusek, ses kayd\u0131<\/p>\n\n

Post prod\u00fcksiyon<\/strong><\/h3>\n\n

Milan Golovics, diyalog edit\u00f6r\u00fcN\u00f3ra Ruszkai, video edit\u00f6r\u00fcIstv\u00e1n Nagy, post prod\u00fcksiyon<\/p>\n\n

Sanat<\/strong><\/h3>\n\n

Victor Maria Lima, animasyonCornelia Frischauf, tema m\u00fczi\u011fi<\/a><\/p>\n\n

Alt yaz\u0131lar ve altyaz\u0131lar<\/strong><\/h3>\n\n

Julia Sobota, Daniela Univazo, Mars Zaslavsky, Marta Ferdebar, Olena Yermakova, Farah Ayyash<\/p>\n\n

Ev sahibi<\/strong><\/h3>\n\n

Alte Schmiede Kunstverein, Viyana.<\/p>\n\n

\u0130lgili okumalar <\/strong><\/h3>\n\n

Made in the EU:Why workers are fleeing Romania’s garment industry<\/a> by Laura Stefanut, Eurozine. <\/p>\n\n

Kaynaklar<\/strong><\/h3>\n\n

H\u0131zl\u0131 Moda H\u0131zlan\u0131yor: B\u00fcy\u00fcyen Bir End\u00fcstriyi S\u00fcrd\u00fcren Etik Olmayan \u0130\u015fg\u00fcc\u00fc Uygulamalar\u0131na Bir Bak\u0131\u015f,<\/a> Emma Ross, GW ILPB. <\/p>\n\n

Banglade\u015f’teki \u015fiddetli \u00fccret protestolar\u0131 \u00f6nde gelen moda markalar\u0131n\u0131 vurabilir<\/a>, Vanessa Yurkevich, CNN.<\/p>\n\n

Fashion greenwash: how companies are hiding the true environmental costs of fast fashion<\/a> by Helle Abelvik-Lawson, Greenpeace. <\/p>\n\n

A\u00e7\u0131klama<\/strong><\/h3>\n\n

Bu talk show bir Display Europe prod\u00fcksiyonudur: kamusal de\u011ferlere ba\u011fl\u0131, \u00e7\u0131\u011f\u0131r a\u00e7an bir medya platformu.<\/p>\n\n

Bu program Avrupa Birli\u011fi Yarat\u0131c\u0131 Avrupa Program\u0131 ve Avrupa K\u00fclt\u00fcr Vakf\u0131 taraf\u0131ndan ortakla\u015fa finanse edilmektedir.<\/p>\n\n

Daha da \u00f6nemlisi, burada ifade edilen g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcnceler sadece yazar ve konu\u015fmac\u0131lara ait olup, Avrupa Birli\u011fi veya Avrupa E\u011fitim ve K\u00fclt\u00fcr Y\u00fcr\u00fctme Ajans\u0131’n\u0131n (EACEA) g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini yans\u0131tmak zorunda de\u011fildir. Ne Avrupa Birli\u011fi ne de EACEA bunlardan sorumlu tutulamaz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Giysilerin \u00e7o\u011fu at\u00f6lyelerde \u00fcretilirken ve k\u0131sa s\u00fcre i\u00e7inde \u00e7\u00f6pl\u00fckleri boylarken, t\u00fcketici etik kaynakl\u0131 bir moda \u00fcr\u00fcn\u00fcn\u00fcn tad\u0131n\u0131 nas\u0131l \u00e7\u0131karabilir? Hindistan’dan bir tasar\u0131mc\u0131, Romanyal\u0131 bir ara\u015ft\u0131rmac\u0131 gazeteci ve Avusturyal\u0131 bir ekotoksikolog Standart Zaman’\u0131n yeni b\u00f6l\u00fcm\u00fcnde bu konuyu tart\u0131\u015f\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":37600,"parent":0,"template":"","tags":[],"displeu_category":[],"class_list":["post-37708","video","type-video","status-publish","has-post-thumbnail","hentry","displeu_authors__repo-standard-time"],"_links":{"self":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/video\/37708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/video"}],"about":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/types\/video"}],"author":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/media\/37600"}],"wp:attachment":[{"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/media?parent=37708"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/tags?post=37708"},{"taxonomy":"displeu_category","embeddable":true,"href":"https:\/\/archive.displayeurope.eu\/tr\/wp-json\/wp\/v2\/displeu_category?post=37708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}